A Altered Banjo (5-String) Scale

Banjo (5-String) scale — fretboard diagramAdvanced

A
Altered
Standard (Open G) (GDGBD)
22
A altered scale — 5-string guitar fretboard diagramInteractive fretboard diagram showing the A altered scale on 5-string guitar with 22 frets. Notes: D#, F, G, A, A#, C, C#.D#FGAA#CC#D#FGAA#CCC#D#FGAA#CC#D#FGAGAA#CC#D#FGAA#CC#D#FD#FGAA#CC#D#FGAA#CGAA#CC#D#FGAA#C1357911121315171921

A Altered Scale — Notes and Intervals

The A Altered scale is the ultimate dominant scale in jazz. On Banjo (5-String), its notes are A, Bb, C, C#, D#, F, G. It contains every possible altered tension, making it sound extremely dissonant and complex. It is used by professional improvisers to create maximum tension over a dominant chord before a satisfying resolution. Commonly used in Jazz, Fusion, Post-Bop, Contemporary. Notable players include John Coltrane, Michael Brecker, Pat Metheny, Chick Corea. Use over 7alt, 7#9, 7b9, 7#5, 7b5 chords. The definitive scale for altered dominant chords that resolve to minor. Play C Altered over C7alt resolving to Fm.

Notes: A, Bb, C, C#, D#, F, G

Intervals: 1P, 2m, 2A, 3M, 4A, 6m, 7m

Degrees: 1 b2 #3 4 #5 b6 b7

Formula: H-W-H-W-W-W-W

Number of notes: 7

Also known as: super locrian, diminished whole tone, pomeroy

Musical Character

DissonantComplexTenseResolving

Contains every possible altered tension (b9, #9, b5, #5) over a dominant chord. It is the ultimate 'tension before resolution' scale — play it on V7 and resolve to I for maximum drama.

Genres & Notable Artists

Genres: Jazz, Fusion, Post-Bop, Contemporary

Notable players: John Coltrane, Michael Brecker, Pat Metheny, Chick Corea

How to Use the A Altered Scale

Use over 7alt, 7#9, 7b9, 7#5, 7b5 chords. The definitive scale for altered dominant chords that resolve to minor. Play C Altered over C7alt resolving to Fm.

Origin & Background

Also called Super Locrian or Diminished Whole Tone. The crown jewel of jazz theory — understanding this scale unlocks professional-level improvisation.

How to Play A Altered on Banjo (5-String)

Begin by locating A on your instrument and play through the 7 notes of the Altered scale slowly, ensuring each note rings clearly before increasing speed.

The A Altered scale contains both sharps and flats (2 sharps, 1 flat), which is common in altered and exotic scales. This scale does not follow a traditional major or minor key signature, so reading from sheet music may require accidentals.

Practice Routine

Begin by playing the A Altered scale ascending and descending at 100 BPM using a metronome, one note per beat. Once comfortable, practice in thirds (A-C, Bb-C#) to build intervallic familiarity. Spend 5 minutes daily on this pattern before increasing tempo by 10 BPM.

Exotic scales like the Altered often work best as a melodic layer over a single root drone on A. Let the unique intervals speak for themselves without frequent chord changes. This scale is especially effective in jazz contexts.

Banjo (5-String) Tips

Practice the A Altered scale slowly and evenly on your instrument, focusing on tone quality for each of the 7 notes before building speed. Aim for a dissonant quality in your phrasing to match the natural character of this scale.

Related Scales

Altered is the 7th mode of the Melodic Minor scale (Super Locrian). View A Melodic minor scale

The A Altered scale contains 7 notes (A, Bb, C, C#, D#, F, G). Use the interactive fretboard above to explore this scale on Banjo (5-String) with different tunings and fret ranges.

CAGED Positions & Patterns for A Altered

The A Altered scale can be played in 5 CAGED positions across the fretboard, each based on an open chord shape (C, A, G, E, D). As a 7-note scale, it also lends itself to 3-notes-per-string (3NPS) patterns that facilitate legato playing and diagonal shifting. Use the pattern selector above to isolate each position.

Explore A Altered Further

Explore A Altered in Other Tunings

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