G# Mixolydian Banjo (5-String) Scale
Banjo (5-String) scale — fretboard diagramBeginner
G# Mixolydian Scale — Notes and Intervals
The G# Mixolydian scale is the fifth mode of the major scale and the heart of rock and roll and blues. On Banjo (5-String), it contains the notes G#, A#, C, C#, D#, F, F#. It combines the stability of a major sound with a more relaxed, folk-like ending, perfectly suited for soloing over dominant seventh chords and providing a bluesy, soulful vibe to major-key songs. The diatonic chords of G# Mixolydian are G#7, A#m7, Cm7b5, C#Maj7, D#m7, Fm7, F#Maj7. Commonly used in Blues, Rock, Country, Folk, Funk. Notable players include Jimi Hendrix, The Allman Brothers, AC/DC, Stevie Ray Vaughan. Use over dominant 7th chords (7, 9, 13). The primary scale for blues-rock soloing over non-resolving dominant chords.
Notes: G#, A#, C, C#, D#, F, F#
Intervals: 1P, 2M, 3M, 4P, 5P, 6M, 7m
Degrees: 1 2 3 4 5 6 b7
Formula: W-W-H-W-W-H-W
Number of notes: 7
Also known as: dominant
Diatonic Chords
G♯7 — A♯m7 — Cm7♭5 — C♯Maj7 — D♯m7 — Fm7 — F♯Maj7
Musical Character
The b7 softens the major scale's resolution, creating a 'relaxed major' that never quite lands. This is the sound of rock and roll — major but with attitude.
Genres & Notable Artists
Genres: Blues, Rock, Country, Folk, Funk
Notable players: Jimi Hendrix, The Allman Brothers, AC/DC, Stevie Ray Vaughan
How to Use the G# Mixolydian Scale
Use over dominant 7th chords (7, 9, 13). The primary scale for blues-rock soloing over non-resolving dominant chords.
Origin & Background
Named after the ancient Mixolydians. The mode behind virtually all classic rock and blues guitar.
How to Play G# Mixolydian on Banjo (5-String)
Begin by locating G# on your instrument and play through the 7 notes of the Mixolydian scale slowly, ensuring each note rings clearly before increasing speed.
The G# Mixolydian scale contains 5 sharps (G#, A#, C#, D#, F#). Its relative minor is F minor, which shares the same notes.
Practice Routine
Begin by playing the G# Mixolydian scale ascending and descending at 60 BPM using a metronome, one note per beat. Once comfortable, practice in thirds (G#-C, A#-C#) to build intervallic familiarity. Spend 5 minutes daily on this pattern before increasing tempo by 10 BPM.
Try these progressions with the G# Mixolydian scale: G#7 - C#Maj7 - D#m7 - G#7 (I-IV-V-I) or G#7 - A#m7 - C#Maj7 - D#m7 for a more stepwise movement. This scale is especially effective in blues contexts.
Banjo (5-String) Tips
Practice the G# Mixolydian scale slowly and evenly on your instrument, focusing on tone quality for each of the 7 notes before building speed. Aim for a relaxed quality in your phrasing to match the natural character of this scale.
Related Scales
Mixolydian is the 5th mode of the Major scale. View G# Major scale
Chord Progressions Using This Scale
- bVI – bVII – I (Mario Cadence)World / Game Music — Triumph & Victory
- I – I – I – I – IV – IV – I – I – V – IV – I – V (12 Bar Blues)Blues — Grit & Soul
- I – bVI – bIII – bVII (Epic Borrowed Chords)Contemporary / Film — Epic & Heroic
- I – ♭VII – IV (Classic Rock Loop)Pop / Rock — Energy & Drive
- I – VI7 – II7 – V (Ragtime Cycle)Jazz / Soul — Playful & Vintage
- ♭VII – IV – I (Gospel Walk-Up)Blues — Spiritual & Uplifting
The G# Mixolydian scale contains 7 notes (G#, A#, C, C#, D#, F, F#). Use the interactive fretboard above to explore this scale on Banjo (5-String) with different tunings and fret ranges.
CAGED Positions & Patterns for G# Mixolydian
The G# Mixolydian scale can be played in 5 CAGED positions across the fretboard, each based on an open chord shape (C, A, G, E, D). As a 7-note scale, it also lends itself to 3-notes-per-string (3NPS) patterns that facilitate legato playing and diagonal shifting. Use the pattern selector above to isolate each position.
Explore G# Mixolydian Further
- Browse chord progressions
- G# Mixolydian on Guitar
- G# Mixolydian on Ukulele
- G# Mixolydian on Bass
- G# Mixolydian on Piano