B Six Tone Symmetric
Bass scale — fretboard diagramAdvanced
B Six Tone Symmetric Scale — Notes and Intervals
The B Six Tone Symmetric scale is a mathematical abstraction that divides the octave into six equal parts. On Bass, its notes are B, C, D#, E, G, G#. It lacks a tonic or a home note, making it perfect for modern composers who want to avoid traditional keys and explore total tonal suspension. Commonly used in Contemporary Classical, Experimental, Avant-Garde. Notable players include Bela Bartok, Olivier Messiaen. Use for atonal or polytonal composition. Not chord-specific — this is a tool for breaking free of traditional harmony.
Notes: B, C, D#, E, G, G#
Intervals: 1P, 2m, 3M, 4P, 5A, 6M
Degrees: 1 b2 3 4 #5 6
Formula: H-WH-H-WH-H-WH
Number of notes: 6
Musical Character
Divides the octave into 6 mathematically equal parts — a scale without a home. Perfect for composers who want to intentionally avoid any tonal center.
Genres & Notable Artists
Genres: Contemporary Classical, Experimental, Avant-Garde
Notable players: Bela Bartok, Olivier Messiaen
How to Use the B Six Tone Symmetric Scale
Use for atonal or polytonal composition. Not chord-specific — this is a tool for breaking free of traditional harmony.
Origin & Background
A mathematical abstraction used by 20th-century experimental composers like Bartok and Messiaen.
Related Scales
The B Six Tone Symmetric scale contains 6 notes (B, C, D#, E, G, G#). Use the interactive fretboard above to explore this scale on Bass with different tunings and fret ranges.