F# Unresolved Cycle
IV – V – I – vi progression in F# major
F# Unresolved Cycle — IV – V – I – vi
The F# IV–V–I–vi progression (B – C# – F# – D#m) creates a hypnotic, cyclical feel by ending on the minor vi chord instead of resolving to the tonic. With extended voicings (BMaj7 – C#7 – F#Maj7 – D#m7), the unresolved quality becomes even more dreamy.