D# 6/9 Guitar Chord — DADGAD
Guitar chord voicings in DADGAD tuning (D-A-D-G-A-D)
D# 6/9 Voicings in DADGAD
D# 6/9 filtered by fret:
D# 6/9 in DADGAD Tuning — Guide
The D# 6/9 chord is made up of the following notes: D#, F##, A#, B#, E#.
Intervals: 1P, 3M, 5P, 6M, 9M.
The D# 6/9 chord in DADGAD tuning (D-A-D-G-A-D) requires different fingerings than standard tuning.
The D# six-nine chord combines a major triad with both the sixth and ninth, producing D#, F##, A#, B#, E# (intervals 1P, 3M, 5P, 6M, 9M). This polychord-like voicing has a rich, stacked quality that sounds modern yet classic. Six-nine chords are versatile final chords in jazz, funk, and gospel, providing a sense of resolution with colorful overtones that keep the ear engaged.
How to Play D# 6/9
On guitar, D# 6/9 typically requires a barre or partial barre voicing. Experiment with different positions to find the voicing that best suits your playing context — higher positions sound brighter and tighter, while lower positions offer more bass and resonance. CAGED system shapes help navigate these options efficiently.
D# 6/9 in Progressions
D# 6/9 appears in various harmonic contexts depending on the key. Analyze the surrounding chords to determine its function — it may serve as a primary chord, a substitution, or a chromatic color chord that enriches the harmonic palette of a progression.
Common Substitutions
D#maj7, D#6, or D#maj9 work as substitutes with comparable harmonic warmth.
Difficulty: On guitar, this chord typically requires a barre — intermediate difficulty, but essential for playing in sharp keys.