C# 6/9 Guitar Chord — Drop D

Guitar chord voicings in Drop D tuning (D-A-D-G-B-E)

C# 6/9 Voicings in Drop D

DADGBE111112
DADGBE111132
6frDADGBE111123
6frDADGBE111123
11frDADGBE111234
11frDADGBE111234

C# 6/9 filtered by fret:

Move the sliders to select the first and last frets to display
DADGBE111112
DADGBE111132
6frDADGBE111123
6frDADGBE111123
11frDADGBE111234
11frDADGBE111234

C# 6/9 in Drop D Tuning — Guide

The C# 6/9 chord is made up of the following notes: C#, E#, G#, A#, D#.

Intervals: 1P, 3M, 5P, 6M, 9M.

The C# 6/9 chord in Drop D tuning (D-A-D-G-B-E) requires different fingerings than standard tuning.

The C# six-nine chord combines a major triad with both the sixth and ninth, producing C#, E#, G#, A#, D# (intervals 1P, 3M, 5P, 6M, 9M). This polychord-like voicing has a rich, stacked quality that sounds modern yet classic. Six-nine chords are versatile final chords in jazz, funk, and gospel, providing a sense of resolution with colorful overtones that keep the ear engaged.

How to Play C# 6/9

On guitar, C# 6/9 typically requires a barre or partial barre voicing. Experiment with different positions to find the voicing that best suits your playing context — higher positions sound brighter and tighter, while lower positions offer more bass and resonance. CAGED system shapes help navigate these options efficiently.

C# 6/9 in Progressions

C# 6/9 appears in various harmonic contexts depending on the key. Analyze the surrounding chords to determine its function — it may serve as a primary chord, a substitution, or a chromatic color chord that enriches the harmonic palette of a progression.

Common Substitutions

C#maj7, C#6, or C#maj9 work as substitutes with comparable harmonic warmth.

Difficulty: On guitar, this chord typically requires a barre — intermediate difficulty, but essential for playing in sharp keys.

Explore C# 6/9 Further