Escala de Mi Enigmática para Guitar
Escala de Guitar en afinación 7-string — diagrama de diapasón
Mi Enigmática en 7-string — Notas e Intervalos
La escala Enigmática de E fue inventada como un rompecabezas musical y utilizada famosamente por Giuseppe Verdi. En Guitar, las notas son E, F, G#, Bb, C, D, D#. Tiene un sonido inestable y surreal porque carece de los grados tradicionales de cuarta y quinta, creando un efecto deslizante que desafia las expectativas del oyente. Usada comunmente en Classical, Experimental, Film Scores. Entre los interpretes destacados se encuentran Giuseppe Verdi, Igor Stravinsky. Not chord-specific — this is a melodic scale for creating surreal, non-functional passages. Use over sustained pedal tones or atonal contexts.
Notas: Mi, Fa, Sol#, Sib, Do, Re, Re#
Intervalos: 1P, 2m, 3M, 5d, 6m, 7m, 7M
Grados: 1 b2 3 4 b5 b6 7
Fórmula: H-WH-W-W-W-H-H
Número de notas: 7
Afinación: 7-string (B-E-A-D-G-B-E)
Acerca de la Afinación 7-string
The 7-string guitar adds a low B string below the standard 6-string tuning (B-E-A-D-G-B-E), extending the instrument's range into bass territory. This extra low end has become essential in progressive metal, djent, and modern heavy music, enabling crushing low-end riffs while maintaining access to standard guitar voicings on the upper strings.
Pioneered by jazz guitarist George Van Eps and later brought into the metal mainstream by Steve Vai and Korn, the 7-string guitar has become a staple of modern heavy music. Players like Tosin Abasi, Misha Mansoor, and John Petrucci have pushed the instrument's capabilities into new territory, using the extended range for complex harmonic progressions, polyrhythmic riffs, and sweeping arpeggios that span an enormous tonal range.
Artistas destacados: Dream Theater, Periphery, Animals as Leaders, Korn, Meshuggah
Ideal para: Progressive metal riffs, extended-range chord voicings, djent rhythms, and jazz fusion harmony
Carácter Musical
Invented as a musical puzzle — lacks the traditional 4th and 5th degrees, creating a gliding, rootless sensation. Verdi used it in his Ave Maria to challenge conventional harmony.