Escala de Fa Mixolidia b6 para Guitar
Escala de Guitar en afinación 7-string — diagrama de diapasón
Fa Mixolidia b6 en 7-string — Notas e Intervalos
La escala Mixolidia b6 de F es una escala dominante melancolica utilizada cuando una cancion esta en tonalidad mayor pero el acorde dominante necesita resolver hacia una tonalidad menor. En Guitar, las notas son F, G, A, Bb, C, Db, Eb. Funciona como puente entre el mundo mayor brillante y el menor triste, perfecta para transiciones emotivas. Usada comunmente en Jazz, Film Scores, Classical, Melodic Metal. Entre los interpretes destacados se encuentran Hans Zimmer, Ennio Morricone. Use over dominant 7th chords that resolve to minor (V7 → im). The scale that bridges major happiness and minor sadness.
Notas: Fa, Sol, La, Sib, Do, Reb, Mib
Intervalos: 1P, 2M, 3M, 4P, 5P, 6m, 7m
Grados: 1 2 3 4 5 b6 b7
Fórmula: W-W-H-W-H-W-W
Número de notas: 7
Afinación: 7-string (B-E-A-D-G-B-E)
También conocido como: melodic minor fifth mode, hindu
Acerca de la Afinación 7-string
The 7-string guitar adds a low B string below the standard 6-string tuning (B-E-A-D-G-B-E), extending the instrument's range into bass territory. This extra low end has become essential in progressive metal, djent, and modern heavy music, enabling crushing low-end riffs while maintaining access to standard guitar voicings on the upper strings.
Pioneered by jazz guitarist George Van Eps and later brought into the metal mainstream by Steve Vai and Korn, the 7-string guitar has become a staple of modern heavy music. Players like Tosin Abasi, Misha Mansoor, and John Petrucci have pushed the instrument's capabilities into new territory, using the extended range for complex harmonic progressions, polyrhythmic riffs, and sweeping arpeggios that span an enormous tonal range.
Artistas destacados: Dream Theater, Periphery, Animals as Leaders, Korn, Meshuggah
Ideal para: Progressive metal riffs, extended-range chord voicings, djent rhythms, and jazz fusion harmony
Carácter Musical
A 'sad dominant' — major 3rd says happy, b6 says sad, b7 says dominant. This emotional contradiction makes it perfect for scenes of bittersweet triumph or pyrrhic victory.