Escala de Si Húngara Menor para Guitar
Escala de Guitar en afinación 8-string — diagrama de diapasón
Si Húngara Menor en 8-string — Notas e Intervalos
La escala Húngara Menor de B, tambien conocida como menor gitana, es famosa por sus dos amplios intervalos melodicos. En Guitar, sus notas son B, C#, D, F, F#, G, A#. Suena poderosa, misteriosa y perfectamente equilibrada, apareciendo frecuentemente en obras maestras clasicas y en metal melodico moderno. Usada comunmente en Classical, Metal, Klezmer, Film Scores, Gypsy Jazz. Entre los interpretes destacados se encuentran Franz Liszt, Yngwie Malmsteen, Marty Friedman, Django Reinhardt. Use over m chords in gypsy jazz and neoclassical metal. Works beautifully over i-V progressions in minor keys.
Notas: Si, Do#, Re, Fa, Fa#, Sol, La#
Intervalos: 1P, 2M, 3m, 4A, 5P, 6m, 7M
Grados: 1 2 b3 #4 5 b6 7
Fórmula: W-H-WH-H-H-WH-H
Número de notas: 7
Afinación: 8-string (F#-B-E-A-D-G-B-E)
Acerca de la Afinación 8-string
The 8-string guitar adds both a low B and a low F# string (F#-B-E-A-D-G-B-E), pushing the instrument's range almost into bass guitar territory. This massive tonal range has become the weapon of choice for djent, progressive metal, and experimental composers who need bone-crushing low-end and soaring highs in a single instrument.
With artists like Tosin Abasi, Meshuggah, and After the Burial leading the charge, the 8-string guitar has redefined what's possible in modern heavy music. The low F# string delivers subsonic heaviness that you can feel in your chest, while the upper strings maintain standard guitar voicings for leads and clean passages. Extended-range compositions often exploit the full span of the instrument, creating a wall of sound that covers bass, rhythm, and lead guitar roles simultaneously.
Artistas destacados: Meshuggah, Animals as Leaders, After the Burial, Intervals, Monuments
Ideal para: Djent polyrhythms, extended-range metal riffs, experimental compositions, and one-instrument arrangements spanning bass to lead
Carácter Musical
Contains TWO augmented 2nd intervals (b3-#4 and b6-7), giving it an unmistakable double-exotic quality. These 'leaps' are what make it sound simultaneously Eastern European and Middle Eastern.