Escala de Re# Disminuida Semitono-Tono para Guitar
Escala de Guitar en afinación 8-string — diagrama de diapasón
Re# Disminuida Semitono-Tono en 8-string — Notas e Intervalos
La escala Disminuida Semitono-Tono de D# es una escala simetrica que constituye una herramienta esencial para los musicos de jazz. En Guitar, las notas son D#, E, F#, G, A, A#, C, C#. Proporciona un crujido disonante y sofisticado cuando se toca sobre acordes de septima dominante, permitiendo solos complejos y de alta tension que aun asi se sienten estructurados. Usada comunmente en Jazz, Bebop, Fusion, Film Scores. Entre los interpretes destacados se encuentran Charlie Parker, Joe Pass, Pat Martino, George Benson. Use over dominant 7th chords (7, 7b9, 13b9). The jazz standard for creating structured tension over dominant harmony. Works over 4 roots spaced a minor 3rd apart.
Notas: Re#, Mi, Fa#, Sol, La, La#, Do, Do#
Intervalos: 1P, 2m, 3m, 3M, 4A, 5P, 6M, 7m
Grados: 1 b2 b3 4 #5 6 7 b8
Fórmula: H-W-H-W-H-W-H-W
Número de notas: 8
Afinación: 8-string (F#-B-E-A-D-G-B-E)
También conocido como: dominant diminished, messiaen's mode #2
Acerca de la Afinación 8-string
The 8-string guitar adds both a low B and a low F# string (F#-B-E-A-D-G-B-E), pushing the instrument's range almost into bass guitar territory. This massive tonal range has become the weapon of choice for djent, progressive metal, and experimental composers who need bone-crushing low-end and soaring highs in a single instrument.
With artists like Tosin Abasi, Meshuggah, and After the Burial leading the charge, the 8-string guitar has redefined what's possible in modern heavy music. The low F# string delivers subsonic heaviness that you can feel in your chest, while the upper strings maintain standard guitar voicings for leads and clean passages. Extended-range compositions often exploit the full span of the instrument, creating a wall of sound that covers bass, rhythm, and lead guitar roles simultaneously.
Artistas destacados: Meshuggah, Animals as Leaders, After the Burial, Intervals, Monuments
Ideal para: Djent polyrhythms, extended-range metal riffs, experimental compositions, and one-instrument arrangements spanning bass to lead
Carácter Musical
The inverse of the whole-half diminished — starts with a half step. This version is the standard jazz choice over dominant 7th chords, providing a sophisticated 'crunch' that resolves beautifully.
Progresiones de Acordes que Usan Esta Escala
- I – ♯I°7 – ii – V (Diminished Cliché)Jazz / Soul — Nostalgic & Vintage
Explorar Esta Escala en Otras Afinaciones
- Re# Disminuida Semitono-Tono en Afinación Estándar
- Re# Disminuida Semitono-Tono en Drop D
- Re# Disminuida Semitono-Tono en DADGAD
- Re# Disminuida Semitono-Tono en Open G
- Re# Disminuida Semitono-Tono en Baritone (B Standard)
- Re# Disminuida Semitono-Tono en 7-string
- Re# Disminuida Semitono-Tono en Drop C
- Re# Disminuida Semitono-Tono en Drop B
- Re# Disminuida Semitono-Tono en Open D