Escala de Re# Simétrica de Seis Tonos para Guitar
Escala de Guitar en afinación 8-string — diagrama de diapasón
Re# Simétrica de Seis Tonos en 8-string — Notas e Intervalos
La escala Simétrica de Seis Tonos de D# es una abstraccion matematica que divide la octava en seis partes iguales. En Guitar, sus notas son D#, E, G, G#, B, C. Carece de tonica o nota de reposo, siendo perfecta para compositores modernos que desean evitar las tonalidades tradicionales y explorar la suspension tonal absoluta. Usada comunmente en Contemporary Classical, Experimental, Avant-Garde. Entre los interpretes destacados se encuentran Bela Bartok, Olivier Messiaen. Use for atonal or polytonal composition. Not chord-specific — this is a tool for breaking free of traditional harmony.
Notas: Re#, Mi, Sol, Sol#, Si, Do
Intervalos: 1P, 2m, 3M, 4P, 5A, 6M
Grados: 1 b2 3 4 #5 6
Fórmula: H-WH-H-WH-H-WH
Número de notas: 6
Afinación: 8-string (F#-B-E-A-D-G-B-E)
Acerca de la Afinación 8-string
The 8-string guitar adds both a low B and a low F# string (F#-B-E-A-D-G-B-E), pushing the instrument's range almost into bass guitar territory. This massive tonal range has become the weapon of choice for djent, progressive metal, and experimental composers who need bone-crushing low-end and soaring highs in a single instrument.
With artists like Tosin Abasi, Meshuggah, and After the Burial leading the charge, the 8-string guitar has redefined what's possible in modern heavy music. The low F# string delivers subsonic heaviness that you can feel in your chest, while the upper strings maintain standard guitar voicings for leads and clean passages. Extended-range compositions often exploit the full span of the instrument, creating a wall of sound that covers bass, rhythm, and lead guitar roles simultaneously.
Artistas destacados: Meshuggah, Animals as Leaders, After the Burial, Intervals, Monuments
Ideal para: Djent polyrhythms, extended-range metal riffs, experimental compositions, and one-instrument arrangements spanning bass to lead
Carácter Musical
Divides the octave into 6 mathematically equal parts — a scale without a home. Perfect for composers who want to intentionally avoid any tonal center.
Explorar Esta Escala en Otras Afinaciones
- Re# Simétrica de Seis Tonos en Afinación Estándar
- Re# Simétrica de Seis Tonos en Drop D
- Re# Simétrica de Seis Tonos en DADGAD
- Re# Simétrica de Seis Tonos en Open G
- Re# Simétrica de Seis Tonos en Baritone (B Standard)
- Re# Simétrica de Seis Tonos en 7-string
- Re# Simétrica de Seis Tonos en Drop C
- Re# Simétrica de Seis Tonos en Drop B
- Re# Simétrica de Seis Tonos en Open D