Escala de Re Ultralocria para Guitar
Escala de Guitar en afinación 8-string — diagrama de diapasón
Re Ultralocria en 8-string — Notas e Intervalos
La escala Ultralocria de D es una escala extremadamente oscura y condensada utilizada para crear intensa tension cromatica. En Guitar, sus notas son D, Eb, F, Gb, Ab, Bb, B. Se emplea en jazz de vanguardia y musica ambiental oscura para explorar los limites mas disonantes de la tonalidad menor. Usada comunmente en Avant-Garde, Dark Ambient, Experimental Jazz. Entre los interpretes destacados se encuentran John Zorn, Derek Bailey. Use over dim7 chords in avant-garde contexts. More of a compositional tool than an improvisational one.
Notas: Re, Mib, Fa, Solb, Lab, Sib, Si
Intervalos: 1P, 2m, 3m, 4d, 5d, 6m, 7d
Grados: 1 b2 b3 4 5 b6 7
Fórmula: H-W-H-W-W-H-WH
Número de notas: 7
Afinación: 8-string (F#-B-E-A-D-G-B-E)
También conocido como: superlocrian bb7, superlocrian diminished
Acerca de la Afinación 8-string
The 8-string guitar adds both a low B and a low F# string (F#-B-E-A-D-G-B-E), pushing the instrument's range almost into bass guitar territory. This massive tonal range has become the weapon of choice for djent, progressive metal, and experimental composers who need bone-crushing low-end and soaring highs in a single instrument.
With artists like Tosin Abasi, Meshuggah, and After the Burial leading the charge, the 8-string guitar has redefined what's possible in modern heavy music. The low F# string delivers subsonic heaviness that you can feel in your chest, while the upper strings maintain standard guitar voicings for leads and clean passages. Extended-range compositions often exploit the full span of the instrument, creating a wall of sound that covers bass, rhythm, and lead guitar roles simultaneously.
Artistas destacados: Meshuggah, Animals as Leaders, After the Burial, Intervals, Monuments
Ideal para: Djent polyrhythms, extended-range metal riffs, experimental compositions, and one-instrument arrangements spanning bass to lead
Carácter Musical
The darkest mode of the harmonic minor — so dark it has a diminished 4th (bb7), making it almost chromatic. Used to push dissonance to its absolute limit.