Escala de Fa Húngara Menor para Guitar
Escala de Guitar en afinación 8-string — diagrama de diapasón
Fa Húngara Menor en 8-string — Notas e Intervalos
La escala Húngara Menor de F, tambien conocida como menor gitana, es famosa por sus dos amplios intervalos melodicos. En Guitar, sus notas son F, G, Ab, B, C, Db, E. Suena poderosa, misteriosa y perfectamente equilibrada, apareciendo frecuentemente en obras maestras clasicas y en metal melodico moderno. Usada comunmente en Classical, Metal, Klezmer, Film Scores, Gypsy Jazz. Entre los interpretes destacados se encuentran Franz Liszt, Yngwie Malmsteen, Marty Friedman, Django Reinhardt. Use over m chords in gypsy jazz and neoclassical metal. Works beautifully over i-V progressions in minor keys.
Notas: Fa, Sol, Lab, Si, Do, Reb, Mi
Intervalos: 1P, 2M, 3m, 4A, 5P, 6m, 7M
Grados: 1 2 b3 #4 5 b6 7
Fórmula: W-H-WH-H-H-WH-H
Número de notas: 7
Afinación: 8-string (F#-B-E-A-D-G-B-E)
Acerca de la Afinación 8-string
The 8-string guitar adds both a low B and a low F# string (F#-B-E-A-D-G-B-E), pushing the instrument's range almost into bass guitar territory. This massive tonal range has become the weapon of choice for djent, progressive metal, and experimental composers who need bone-crushing low-end and soaring highs in a single instrument.
With artists like Tosin Abasi, Meshuggah, and After the Burial leading the charge, the 8-string guitar has redefined what's possible in modern heavy music. The low F# string delivers subsonic heaviness that you can feel in your chest, while the upper strings maintain standard guitar voicings for leads and clean passages. Extended-range compositions often exploit the full span of the instrument, creating a wall of sound that covers bass, rhythm, and lead guitar roles simultaneously.
Artistas destacados: Meshuggah, Animals as Leaders, After the Burial, Intervals, Monuments
Ideal para: Djent polyrhythms, extended-range metal riffs, experimental compositions, and one-instrument arrangements spanning bass to lead
Carácter Musical
Contains TWO augmented 2nd intervals (b3-#4 and b6-7), giving it an unmistakable double-exotic quality. These 'leaps' are what make it sound simultaneously Eastern European and Middle Eastern.