Escala de Fa Locria Mayor para Guitar
Escala de Guitar en afinación 8-string — diagrama de diapasón
Fa Locria Mayor en 8-string — Notas e Intervalos
La escala Locria Mayor de F es un hibrido del siglo XX que combina la estabilidad de una tercera mayor con la disonancia de una base Locria. En Guitar, contiene las notas F, G, A, Bb, B, Db, Eb. Fue utilizada por compositores experimentales para crear un sonido que resulta familiar y alienigena al mismo tiempo. Usada comunmente en Experimental, Contemporary Classical, Avant-Garde. Entre los interpretes destacados se encuentran Bela Bartok, Gyorgy Ligeti. Use in experimental composition over polytonal or atonal passages. A tool for creating cognitive dissonance.
Notas: Fa, Sol, La, Sib, Si, Reb, Mib
Intervalos: 1P, 2M, 3M, 4P, 5d, 6m, 7m
Grados: 1 2 3 4 5 b6 b7
Fórmula: W-W-H-H-W-W-W
Número de notas: 7
Afinación: 8-string (F#-B-E-A-D-G-B-E)
También conocido como: arabian
Acerca de la Afinación 8-string
The 8-string guitar adds both a low B and a low F# string (F#-B-E-A-D-G-B-E), pushing the instrument's range almost into bass guitar territory. This massive tonal range has become the weapon of choice for djent, progressive metal, and experimental composers who need bone-crushing low-end and soaring highs in a single instrument.
With artists like Tosin Abasi, Meshuggah, and After the Burial leading the charge, the 8-string guitar has redefined what's possible in modern heavy music. The low F# string delivers subsonic heaviness that you can feel in your chest, while the upper strings maintain standard guitar voicings for leads and clean passages. Extended-range compositions often exploit the full span of the instrument, creating a wall of sound that covers bass, rhythm, and lead guitar roles simultaneously.
Artistas destacados: Meshuggah, Animals as Leaders, After the Burial, Intervals, Monuments
Ideal para: Djent polyrhythms, extended-range metal riffs, experimental compositions, and one-instrument arrangements spanning bass to lead
Carácter Musical
A major 3rd within a Locrian framework — the contradiction creates a sound that is both familiar (major) and alien (b2, b5) simultaneously.