Escala de Sol# Locria Mayor para Guitar
Escala de Guitar en afinación 8-string — diagrama de diapasón
Sol# Locria Mayor en 8-string — Notas e Intervalos
La escala Locria Mayor de G# es un hibrido del siglo XX que combina la estabilidad de una tercera mayor con la disonancia de una base Locria. En Guitar, contiene las notas G#, A#, C, C#, D, E, F#. Fue utilizada por compositores experimentales para crear un sonido que resulta familiar y alienigena al mismo tiempo. Usada comunmente en Experimental, Contemporary Classical, Avant-Garde. Entre los interpretes destacados se encuentran Bela Bartok, Gyorgy Ligeti. Use in experimental composition over polytonal or atonal passages. A tool for creating cognitive dissonance.
Notas: Sol#, La#, Do, Do#, Re, Mi, Fa#
Intervalos: 1P, 2M, 3M, 4P, 5d, 6m, 7m
Grados: 1 2 3 4 5 b6 b7
Fórmula: W-W-H-H-W-W-W
Número de notas: 7
Afinación: 8-string (F#-B-E-A-D-G-B-E)
También conocido como: arabian
Acerca de la Afinación 8-string
The 8-string guitar adds both a low B and a low F# string (F#-B-E-A-D-G-B-E), pushing the instrument's range almost into bass guitar territory. This massive tonal range has become the weapon of choice for djent, progressive metal, and experimental composers who need bone-crushing low-end and soaring highs in a single instrument.
With artists like Tosin Abasi, Meshuggah, and After the Burial leading the charge, the 8-string guitar has redefined what's possible in modern heavy music. The low F# string delivers subsonic heaviness that you can feel in your chest, while the upper strings maintain standard guitar voicings for leads and clean passages. Extended-range compositions often exploit the full span of the instrument, creating a wall of sound that covers bass, rhythm, and lead guitar roles simultaneously.
Artistas destacados: Meshuggah, Animals as Leaders, After the Burial, Intervals, Monuments
Ideal para: Djent polyrhythms, extended-range metal riffs, experimental compositions, and one-instrument arrangements spanning bass to lead
Carácter Musical
A major 3rd within a Locrian framework — the contradiction creates a sound that is both familiar (major) and alien (b2, b5) simultaneously.