Escala de La Modo de Messiaen #3 para Guitar
Escala de Guitar en afinación DADGAD — diagrama de diapasón
La Modo de Messiaen #3 en DADGAD — Notas e Intervalos
La escala Modo de Messiaen #3 de A es una compleja escala simetrica de nueve notas utilizada por Olivier Messiaen. En Guitar, sus notas son A, B, C, C#, D#, E, F, G, G#. Crea una tonalidad cosmica y suspendida que se siente religiosa y cientifica a la vez, evocando una sensacion de asombro divino. Usada comunmente en Contemporary Classical, Film Scores, Ambient, Experimental. Entre los interpretes destacados se encuentran Olivier Messiaen, Gyorgy Ligeti, Thomas Ades. Use for creating atmospheres of 'cosmic awe'. Not bound to traditional chord progressions — works best over sustained harmonies or ostinato patterns.
Notas: La, Si, Do, Do#, Re#, Mi, Fa, Sol, Sol#
Intervalos: 1P, 2M, 3m, 3M, 4A, 5P, 6m, 7m, 7M
Grados: 1 2 b3 4 #5 6 b7 b8 9
Fórmula: W-H-H-W-H-H-W-H-H
Número de notas: 9
Afinación: DADGAD (D-A-D-G-A-D)
Acerca de la Afinación DADGAD
DADGAD tuning creates an open Dsus4 chord when strummed open, producing a hauntingly beautiful, droning sound that has become synonymous with Celtic folk music and modern acoustic songwriting. The tuning's natural resonance and overtones make even simple fingerpicking patterns sound rich and complex.
Popularized by Davey Graham in the 1960s and later championed by Pierre Bensusan and Jimmy Page, DADGAD has become one of the most beloved alternate tunings for acoustic guitarists. Its suspended quality — neither clearly major nor minor — creates an ethereal, meditative atmosphere that invites exploration. The tuning excels at creating drone-based arrangements where open strings ring against fretted notes.
Artistas destacados: Pierre Bensusan, Jimmy Page, Andy McKee, Davey Graham, Laurence Juber
Ideal para: Celtic folk, acoustic songwriting, drone-based fingerpicking, and meditative compositions
Carácter Musical
A 9-note scale with limited transposition — only 4 unique transpositions exist before repeating. Creates a cosmic, suspended tonality that is neither major nor minor but something transcendent.
Explorar Esta Escala en Otras Afinaciones
- La Modo de Messiaen #3 en Afinación Estándar
- La Modo de Messiaen #3 en Drop D
- La Modo de Messiaen #3 en Open G
- La Modo de Messiaen #3 en Baritone (B Standard)
- La Modo de Messiaen #3 en 7-string
- La Modo de Messiaen #3 en 8-string
- La Modo de Messiaen #3 en Drop C
- La Modo de Messiaen #3 en Drop B
- La Modo de Messiaen #3 en Open D