Escala de La# Locria Mayor para Guitar
Escala de Guitar en afinación DADGAD — diagrama de diapasón
La# Locria Mayor en DADGAD — Notas e Intervalos
La escala Locria Mayor de A# es un hibrido del siglo XX que combina la estabilidad de una tercera mayor con la disonancia de una base Locria. En Guitar, contiene las notas A#, C, D, D#, E, F#, G#. Fue utilizada por compositores experimentales para crear un sonido que resulta familiar y alienigena al mismo tiempo. Usada comunmente en Experimental, Contemporary Classical, Avant-Garde. Entre los interpretes destacados se encuentran Bela Bartok, Gyorgy Ligeti. Use in experimental composition over polytonal or atonal passages. A tool for creating cognitive dissonance.
Notas: La#, Do, Re, Re#, Mi, Fa#, Sol#
Intervalos: 1P, 2M, 3M, 4P, 5d, 6m, 7m
Grados: 1 2 3 4 5 b6 b7
Fórmula: W-W-H-H-W-W-W
Número de notas: 7
Afinación: DADGAD (D-A-D-G-A-D)
También conocido como: arabian
Acerca de la Afinación DADGAD
DADGAD tuning creates an open Dsus4 chord when strummed open, producing a hauntingly beautiful, droning sound that has become synonymous with Celtic folk music and modern acoustic songwriting. The tuning's natural resonance and overtones make even simple fingerpicking patterns sound rich and complex.
Popularized by Davey Graham in the 1960s and later championed by Pierre Bensusan and Jimmy Page, DADGAD has become one of the most beloved alternate tunings for acoustic guitarists. Its suspended quality — neither clearly major nor minor — creates an ethereal, meditative atmosphere that invites exploration. The tuning excels at creating drone-based arrangements where open strings ring against fretted notes.
Artistas destacados: Pierre Bensusan, Jimmy Page, Andy McKee, Davey Graham, Laurence Juber
Ideal para: Celtic folk, acoustic songwriting, drone-based fingerpicking, and meditative compositions
Carácter Musical
A major 3rd within a Locrian framework — the contradiction creates a sound that is both familiar (major) and alien (b2, b5) simultaneously.