Escala de Si Pentatónica Mayor para Guitar
Escala de Guitar en afinación DADGAD — diagrama de diapasón
Si Pentatónica Mayor en DADGAD — Notas e Intervalos
La escala Pentatónica Mayor de B es una escala universal de cinco notas presente en practicamente todas las culturas musicales. En Guitar, contiene las notas B, C#, D#, F#, G#. Es extremadamente consonante y agradable al oido, siendo la eleccion perfecta para melodias en country, pop y blues. Su sonido abierto asegura que casi cualquier nota sonara correcta sobre armonias mayores. Usada comunmente en Country, Pop, Rock, Blues, Folk. Entre los interpretes destacados se encuentran Keith Richards, B.B. King, John Mayer, Eric Clapton. Use over any major chord, major key progression, or dominant 7th chord. The safest and most universal soloing tool.
Notas: Si, Do#, Re#, Fa#, Sol#
Intervalos: 1P, 2M, 3M, 5P, 6M
Grados: 1 2 3 4 5
Fórmula: W-W-WH-W-WH
Número de notas: 5
Afinación: DADGAD (D-A-D-G-A-D)
También conocido como: pentatonic
Acerca de la Afinación DADGAD
DADGAD tuning creates an open Dsus4 chord when strummed open, producing a hauntingly beautiful, droning sound that has become synonymous with Celtic folk music and modern acoustic songwriting. The tuning's natural resonance and overtones make even simple fingerpicking patterns sound rich and complex.
Popularized by Davey Graham in the 1960s and later championed by Pierre Bensusan and Jimmy Page, DADGAD has become one of the most beloved alternate tunings for acoustic guitarists. Its suspended quality — neither clearly major nor minor — creates an ethereal, meditative atmosphere that invites exploration. The tuning excels at creating drone-based arrangements where open strings ring against fretted notes.
Artistas destacados: Pierre Bensusan, Jimmy Page, Andy McKee, Davey Graham, Laurence Juber
Ideal para: Celtic folk, acoustic songwriting, drone-based fingerpicking, and meditative compositions
Carácter Musical
By removing the 4th and 7th degrees from the major scale, all dissonant intervals disappear. Every note sounds 'right' — making it nearly impossible to play a wrong note over major harmony.
Progresiones de Acordes que Usan Esta Escala
- I – V – vi – IV (Pop Progression)Pop / Rock — Hope & Joy
- vi – IV – I – V (Melancholic Variation)Pop / Rock — Melancholy
- I – vi – IV – V (50s Doo-Wop)Pop / Rock — Nostalgia
- IV – V – I – vi (Unresolved Cycle)Pop / Rock — Dreamy & Cyclical
- IV – I – V – vi (Sensitive Pop)Pop / Rock — Uplifting
- I – IV – V (Rock & Folk Classic)Pop / Rock — Energy & Drive
- I – V – IV (Rock Ballad)Pop / Rock — Anthemic
- I – V – vi – iii – IV – I – IV – V (Pachelbel's Canon)Classical / Pop — Epic & Nostalgic
- I – vi – ii – V (Jazz Turnaround)Jazz / Soul — Sophistication
- ii – V – I (Jazz ii–V–I)Jazz / Soul — Sophistication
- IV – V – iii – vi (Royal Road (J-Pop))World / J-Pop — Yearning & Nostalgia
- IV – V – iii – vi – ii – V – I (Japanese Circle)World / J-Pop — Complete Resolution
- I – I+ – I6 – I7 (Ascending Augmented)Classical / Pop — Hopeful & Yearning
Explorar Esta Escala en Otras Afinaciones
- Si Pentatónica Mayor en Afinación Estándar
- Si Pentatónica Mayor en Drop D
- Si Pentatónica Mayor en Open G
- Si Pentatónica Mayor en Baritone (B Standard)
- Si Pentatónica Mayor en 7-string
- Si Pentatónica Mayor en 8-string
- Si Pentatónica Mayor en Drop C
- Si Pentatónica Mayor en Drop B
- Si Pentatónica Mayor en Open D