Escala de Si Menor Melódica para Guitar
Escala de Guitar en afinación DADGAD — diagrama de diapasón
Si Menor Melódica en DADGAD — Notas e Intervalos
La escala Menor Melódica de B, frecuentemente llamada menor de jazz, ofrece un sonido mas sofisticado y fluido que la menor natural. En Guitar, contiene las notas B, C#, D, E, F#, G#, A#. Es una herramienta vital para la improvisacion en jazz moderno, permitiendo navegar acordes dominantes complejos y crear lineas melodicas elegantes y llenas de tension que evitan el salto exotico de la menor armonica. Los acordes diatonicos de B Menor Melódica son Bm6, C#m7, D+maj7, E7, F#7, G#m7b5, A#m7b5. Usada comunmente en Jazz, Fusion, Contemporary Classical, Progressive. Entre los interpretes destacados se encuentran Pat Metheny, John Coltrane, Allan Holdsworth. Use over m(Maj7), m6 chords. Its modes cover nearly every altered dominant situation in jazz. The 'jazz minor' is the single most important advanced scale system.
Notas: Si, Do#, Re, Mi, Fa#, Sol#, La#
Intervalos: 1P, 2M, 3m, 4P, 5P, 6M, 7M
Grados: 1 2 b3 4 5 6 7
Fórmula: W-H-W-W-W-W-H
Número de notas: 7
Afinación: DADGAD (D-A-D-G-A-D)
Acordes Diatónicos
Bm6 — C♯m7 — D+maj7 — E7 — F♯7 — G♯m7♭5 — A♯m7♭5
Acerca de la Afinación DADGAD
DADGAD tuning creates an open Dsus4 chord when strummed open, producing a hauntingly beautiful, droning sound that has become synonymous with Celtic folk music and modern acoustic songwriting. The tuning's natural resonance and overtones make even simple fingerpicking patterns sound rich and complex.
Popularized by Davey Graham in the 1960s and later championed by Pierre Bensusan and Jimmy Page, DADGAD has become one of the most beloved alternate tunings for acoustic guitarists. Its suspended quality — neither clearly major nor minor — creates an ethereal, meditative atmosphere that invites exploration. The tuning excels at creating drone-based arrangements where open strings ring against fretted notes.
Artistas destacados: Pierre Bensusan, Jimmy Page, Andy McKee, Davey Graham, Laurence Juber
Ideal para: Celtic folk, acoustic songwriting, drone-based fingerpicking, and meditative compositions
Carácter Musical
In jazz, only the ascending form is used (1, 2, b3, 4, 5, 6, 7). It is the parent scale for seven crucial modes including the Altered scale and Lydian Dominant.
Progresiones de Acordes que Usan Esta Escala
- vi – viM7 – vi7 – II (Descending Minor Cliché)Classical / Pop — Romance & Intrigue