Escala de Do# Blues Compuesto para Guitar
Escala de Guitar en afinación DADGAD — diagrama de diapasón
Do# Blues Compuesto en DADGAD — Notas e Intervalos
La escala Blues Compuesto de C# es una completa escala de jazz de nueve notas que fusiona las estructuras del blues mayor y menor. En Guitar, contiene las notas C#, D#, E, F, F#, G, G#, A#, B. Permite a los improvisadores una libertad melodica absoluta sobre acordes dominantes, combinando alegria y crudeza en cada frase. Usada comunmente en Jazz, Blues, Fusion, Funk. Entre los interpretes destacados se encuentran John Scofield, Robben Ford, Larry Carlton. Use over dominant 7th chords in blues and jazz-blues. Contains both major and minor 3rds, allowing fluid switching between bright and dark.
Notas: Do#, Re#, Mi, Fa, Fa#, Sol, Sol#, La#, Si
Intervalos: 1P, 2M, 3m, 3M, 4P, 5d, 5P, 6M, 7m
Grados: 1 2 b3 4 5 6 7 8 b9
Fórmula: W-H-H-H-H-H-W-H-W
Número de notas: 9
Afinación: DADGAD (D-A-D-G-A-D)
Acerca de la Afinación DADGAD
DADGAD tuning creates an open Dsus4 chord when strummed open, producing a hauntingly beautiful, droning sound that has become synonymous with Celtic folk music and modern acoustic songwriting. The tuning's natural resonance and overtones make even simple fingerpicking patterns sound rich and complex.
Popularized by Davey Graham in the 1960s and later championed by Pierre Bensusan and Jimmy Page, DADGAD has become one of the most beloved alternate tunings for acoustic guitarists. Its suspended quality — neither clearly major nor minor — creates an ethereal, meditative atmosphere that invites exploration. The tuning excels at creating drone-based arrangements where open strings ring against fretted notes.
Artistas destacados: Pierre Bensusan, Jimmy Page, Andy McKee, Davey Graham, Laurence Juber
Ideal para: Celtic folk, acoustic songwriting, drone-based fingerpicking, and meditative compositions
Carácter Musical
A 9-note 'super blues' scale that merges major and minor blues, giving improvisers absolute freedom to blend happy and gritty textures over dominant chords.