Escala de Re Disminuida Semitono-Tono para Guitar
Escala de Guitar en afinación DADGAD — diagrama de diapasón
Re Disminuida Semitono-Tono en DADGAD — Notas e Intervalos
La escala Disminuida Semitono-Tono de D es una escala simetrica que constituye una herramienta esencial para los musicos de jazz. En Guitar, las notas son D, Eb, F, F#, G#, A, B, C. Proporciona un crujido disonante y sofisticado cuando se toca sobre acordes de septima dominante, permitiendo solos complejos y de alta tension que aun asi se sienten estructurados. Usada comunmente en Jazz, Bebop, Fusion, Film Scores. Entre los interpretes destacados se encuentran Charlie Parker, Joe Pass, Pat Martino, George Benson. Use over dominant 7th chords (7, 7b9, 13b9). The jazz standard for creating structured tension over dominant harmony. Works over 4 roots spaced a minor 3rd apart.
Notas: Re, Mib, Fa, Fa#, Sol#, La, Si, Do
Intervalos: 1P, 2m, 3m, 3M, 4A, 5P, 6M, 7m
Grados: 1 b2 b3 4 #5 6 7 b8
Fórmula: H-W-H-W-H-W-H-W
Número de notas: 8
Afinación: DADGAD (D-A-D-G-A-D)
También conocido como: dominant diminished, messiaen's mode #2
Acerca de la Afinación DADGAD
DADGAD tuning creates an open Dsus4 chord when strummed open, producing a hauntingly beautiful, droning sound that has become synonymous with Celtic folk music and modern acoustic songwriting. The tuning's natural resonance and overtones make even simple fingerpicking patterns sound rich and complex.
Popularized by Davey Graham in the 1960s and later championed by Pierre Bensusan and Jimmy Page, DADGAD has become one of the most beloved alternate tunings for acoustic guitarists. Its suspended quality — neither clearly major nor minor — creates an ethereal, meditative atmosphere that invites exploration. The tuning excels at creating drone-based arrangements where open strings ring against fretted notes.
Artistas destacados: Pierre Bensusan, Jimmy Page, Andy McKee, Davey Graham, Laurence Juber
Ideal para: Celtic folk, acoustic songwriting, drone-based fingerpicking, and meditative compositions
Carácter Musical
The inverse of the whole-half diminished — starts with a half step. This version is the standard jazz choice over dominant 7th chords, providing a sophisticated 'crunch' that resolves beautifully.
Progresiones de Acordes que Usan Esta Escala
- I – ♯I°7 – ii – V (Diminished Cliché)Jazz / Soul — Nostalgic & Vintage
Explorar Esta Escala en Otras Afinaciones
- Re Disminuida Semitono-Tono en Afinación Estándar
- Re Disminuida Semitono-Tono en Drop D
- Re Disminuida Semitono-Tono en Open G
- Re Disminuida Semitono-Tono en Baritone (B Standard)
- Re Disminuida Semitono-Tono en 7-string
- Re Disminuida Semitono-Tono en 8-string
- Re Disminuida Semitono-Tono en Drop C
- Re Disminuida Semitono-Tono en Drop B
- Re Disminuida Semitono-Tono en Open D