Escala de Mi Tonos Enteros para Guitar
Escala de Guitar en afinación DADGAD — diagrama de diapasón
Mi Tonos Enteros en DADGAD — Notas e Intervalos
La escala Tonos Enteros de E, tambien conocida como Modo de transposicion limitada n.o 1 de Messiaen, es una escala perfectamente simetrica que carece de centro tonal, creando una sensacion de ingravidez y difuminado. En Guitar, contiene las notas E, F#, G#, A#, C, D. Divide la octava en seis tonos enteros iguales, lo que significa que solo existen dos escalas de tonos enteros unicas. Popularizada por Claude Debussy y utilizada extensamente en bandas sonoras, evoca atmosferas impresionistas y oniricas donde ninguna nota se siente como el hogar. Usala sobre triadas aumentadas y acordes 7#5 para un efecto flotante y surreal. Usada comunmente en Impressionist, Film Scores, Jazz, Ambient, Experimental. Entre los interpretes destacados se encuentran Claude Debussy, Thelonious Monk, Wayne Shorter, Joe Satriani. Use over augmented triads, 7#5 chords. Perfect for dream sequences, transitions, and any moment where tonality should dissolve.
Notas: Mi, Fa#, Sol#, La#, Do, Re
Intervalos: 1P, 2M, 3M, 4A, 5A, 6A
Grados: 1 2 3 #4 #5 #6
Fórmula: W-W-W-W-W-W
Número de notas: 6
Afinación: DADGAD (D-A-D-G-A-D)
También conocido como: messiaen's mode #1
Acerca de la Afinación DADGAD
DADGAD tuning creates an open Dsus4 chord when strummed open, producing a hauntingly beautiful, droning sound that has become synonymous with Celtic folk music and modern acoustic songwriting. The tuning's natural resonance and overtones make even simple fingerpicking patterns sound rich and complex.
Popularized by Davey Graham in the 1960s and later championed by Pierre Bensusan and Jimmy Page, DADGAD has become one of the most beloved alternate tunings for acoustic guitarists. Its suspended quality — neither clearly major nor minor — creates an ethereal, meditative atmosphere that invites exploration. The tuning excels at creating drone-based arrangements where open strings ring against fretted notes.
Artistas destacados: Pierre Bensusan, Jimmy Page, Andy McKee, Davey Graham, Laurence Juber
Ideal para: Celtic folk, acoustic songwriting, drone-based fingerpicking, and meditative compositions
Carácter Musical
Divides the octave into 6 equal whole steps — no half steps means no tension, no resolution, no tonal center. Only 2 possible whole tone scales exist (starting on C or C#).
Progresiones de Acordes que Usan Esta Escala
- I – I+ – I6 – I7 (Ascending Augmented)Classical / Pop — Hopeful & Yearning