Escala de Fa Locria #2 para Guitar
Escala de Guitar en afinación DADGAD — diagrama de diapasón
Fa Locria #2 en DADGAD — Notas e Intervalos
La escala Locria #2 de F es una version mas usable y consonante del modo Locrio estandar. En Guitar, contiene las notas F, G, Ab, Bb, B, Db, Eb. Es la opcion preferida de los musicos de jazz para improvisar sobre acordes semidisminuidos, ya que su segunda natural permite una conduccion de voces mucho mas suave y melodica. Usada comunmente en Jazz, Post-Bop, Contemporary. Entre los interpretes destacados se encuentran John Coltrane, Woody Shaw, Steve Coleman. Use over m7b5 chords. The preferred jazz choice over half-diminished chords (vs standard Locrian which sounds too harsh).
Notas: Fa, Sol, Lab, Sib, Si, Reb, Mib
Intervalos: 1P, 2M, 3m, 4P, 5d, 6m, 7m
Grados: 1 2 b3 4 5 b6 b7
Fórmula: W-H-W-H-W-W-W
Número de notas: 7
Afinación: DADGAD (D-A-D-G-A-D)
También conocido como: half-diminished, aeolian b5
Acerca de la Afinación DADGAD
DADGAD tuning creates an open Dsus4 chord when strummed open, producing a hauntingly beautiful, droning sound that has become synonymous with Celtic folk music and modern acoustic songwriting. The tuning's natural resonance and overtones make even simple fingerpicking patterns sound rich and complex.
Popularized by Davey Graham in the 1960s and later championed by Pierre Bensusan and Jimmy Page, DADGAD has become one of the most beloved alternate tunings for acoustic guitarists. Its suspended quality — neither clearly major nor minor — creates an ethereal, meditative atmosphere that invites exploration. The tuning excels at creating drone-based arrangements where open strings ring against fretted notes.
Artistas destacados: Pierre Bensusan, Jimmy Page, Andy McKee, Davey Graham, Laurence Juber
Ideal para: Celtic folk, acoustic songwriting, drone-based fingerpicking, and meditative compositions
Carácter Musical
The natural 2nd degree (vs b2 in standard Locrian) makes this vastly more usable — smoother voice leading while retaining the essential b5 for half-diminished harmony.