Escala de Fa Lidia Dominante para Guitar
Escala de Guitar en afinación DADGAD — diagrama de diapasón
Fa Lidia Dominante en DADGAD — Notas e Intervalos
La escala Lidia Dominante de F, tambien conocida como escala Acustica, suena brillante, peculiar y dominante al mismo tiempo. En Guitar, sus notas son F, G, A, B, C, D, Eb. Se usa ampliamente en jazz y musica de animacion para improvisar sobre acordes dominantes que no resuelven de forma tradicional. Usada comunmente en Jazz, Fusion, Blues, Film Scores. Entre los interpretes destacados se encuentran Frank Zappa, Larry Carlton, Pat Metheny. Use over 7#11, 9#11 chords. Ideal for non-resolving dominant chords (the 'Simpsons chord'). Gives a sophisticated twist to blues progressions.
Notas: Fa, Sol, La, Si, Do, Re, Mib
Intervalos: 1P, 2M, 3M, 4A, 5P, 6M, 7m
Grados: 1 2 3 #4 5 6 b7
Fórmula: W-W-W-H-W-H-W
Número de notas: 7
Afinación: DADGAD (D-A-D-G-A-D)
También conocido como: lydian b7, overtone
Acerca de la Afinación DADGAD
DADGAD tuning creates an open Dsus4 chord when strummed open, producing a hauntingly beautiful, droning sound that has become synonymous with Celtic folk music and modern acoustic songwriting. The tuning's natural resonance and overtones make even simple fingerpicking patterns sound rich and complex.
Popularized by Davey Graham in the 1960s and later championed by Pierre Bensusan and Jimmy Page, DADGAD has become one of the most beloved alternate tunings for acoustic guitarists. Its suspended quality — neither clearly major nor minor — creates an ethereal, meditative atmosphere that invites exploration. The tuning excels at creating drone-based arrangements where open strings ring against fretted notes.
Artistas destacados: Pierre Bensusan, Jimmy Page, Andy McKee, Davey Graham, Laurence Juber
Ideal para: Celtic folk, acoustic songwriting, drone-based fingerpicking, and meditative compositions
Carácter Musical
Combines Lydian's floating brightness (#4) with Mixolydian's bluesy dominance (b7). The result is a scale that is both dreamy and grounded — bright without being sweet.
Progresiones de Acordes que Usan Esta Escala
- ii – bII7 – I (Tritone Substitution)Jazz / Soul — Mystery & Tension
- iv – ♭VII – I (Backdoor Cadence)Jazz / Soul — Soulful & Unexpected