Escala de Fa# Alterada para Guitar
Escala de Guitar en afinación DADGAD — diagrama de diapasón
Fa# Alterada en DADGAD — Notas e Intervalos
La escala Alterada de F# es la escala dominante definitiva del jazz. En Guitar, sus notas son F#, G, A, A#, C, D, E. Contiene todas las tensiones alteradas posibles, lo que la hace sonar extremadamente disonante y compleja. Es utilizada por improvisadores profesionales para crear la maxima tension sobre un acorde dominante antes de una resolucion satisfactoria. Usada comunmente en Jazz, Fusion, Post-Bop, Contemporary. Entre los interpretes destacados se encuentran John Coltrane, Michael Brecker, Pat Metheny, Chick Corea. Use over 7alt, 7#9, 7b9, 7#5, 7b5 chords. The definitive scale for altered dominant chords that resolve to minor. Play C Altered over C7alt resolving to Fm.
Notas: Fa#, Sol, La, La#, Do, Re, Mi
Intervalos: 1P, 2m, 2A, 3M, 4A, 6m, 7m
Grados: 1 b2 #3 4 #5 b6 b7
Fórmula: H-W-H-W-W-W-W
Número de notas: 7
Afinación: DADGAD (D-A-D-G-A-D)
También conocido como: super locrian, diminished whole tone, pomeroy
Acerca de la Afinación DADGAD
DADGAD tuning creates an open Dsus4 chord when strummed open, producing a hauntingly beautiful, droning sound that has become synonymous with Celtic folk music and modern acoustic songwriting. The tuning's natural resonance and overtones make even simple fingerpicking patterns sound rich and complex.
Popularized by Davey Graham in the 1960s and later championed by Pierre Bensusan and Jimmy Page, DADGAD has become one of the most beloved alternate tunings for acoustic guitarists. Its suspended quality — neither clearly major nor minor — creates an ethereal, meditative atmosphere that invites exploration. The tuning excels at creating drone-based arrangements where open strings ring against fretted notes.
Artistas destacados: Pierre Bensusan, Jimmy Page, Andy McKee, Davey Graham, Laurence Juber
Ideal para: Celtic folk, acoustic songwriting, drone-based fingerpicking, and meditative compositions
Carácter Musical
Contains every possible altered tension (b9, #9, b5, #5) over a dominant chord. It is the ultimate 'tension before resolution' scale — play it on V7 and resolve to I for maximum drama.