Escala de Sol# Ultralocria para Guitar

Escala de Guitar en afinación DADGAD — diagrama de diapasón

DADGAD (DADGAD)
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Sol# Ultralocria en DADGAD — Notas e Intervalos

La escala Ultralocria de G# es una escala extremadamente oscura y condensada utilizada para crear intensa tension cromatica. En Guitar, sus notas son G#, A, B, C, D, E, F. Se emplea en jazz de vanguardia y musica ambiental oscura para explorar los limites mas disonantes de la tonalidad menor. Usada comunmente en Avant-Garde, Dark Ambient, Experimental Jazz. Entre los interpretes destacados se encuentran John Zorn, Derek Bailey. Use over dim7 chords in avant-garde contexts. More of a compositional tool than an improvisational one.

Notas: Sol#, La, Si, Do, Re, Mi, Fa

Intervalos: 1P, 2m, 3m, 4d, 5d, 6m, 7d

Grados: 1 b2 b3 4 5 b6 7

Fórmula: H-W-H-W-W-H-WH

Número de notas: 7

Afinación: DADGAD (D-A-D-G-A-D)

También conocido como: superlocrian bb7, superlocrian diminished

Acerca de la Afinación DADGAD

DADGAD tuning creates an open Dsus4 chord when strummed open, producing a hauntingly beautiful, droning sound that has become synonymous with Celtic folk music and modern acoustic songwriting. The tuning's natural resonance and overtones make even simple fingerpicking patterns sound rich and complex.

Popularized by Davey Graham in the 1960s and later championed by Pierre Bensusan and Jimmy Page, DADGAD has become one of the most beloved alternate tunings for acoustic guitarists. Its suspended quality — neither clearly major nor minor — creates an ethereal, meditative atmosphere that invites exploration. The tuning excels at creating drone-based arrangements where open strings ring against fretted notes.

CelticFolkAcousticWorld MusicNew AgeAmbient

Artistas destacados: Pierre Bensusan, Jimmy Page, Andy McKee, Davey Graham, Laurence Juber

Ideal para: Celtic folk, acoustic songwriting, drone-based fingerpicking, and meditative compositions

Carácter Musical

Extremely DarkDissonantCondensedAbyssal

The darkest mode of the harmonic minor — so dark it has a diminished 4th (bb7), making it almost chromatic. Used to push dissonance to its absolute limit.

Explorar Esta Escala en Otras Afinaciones

Todas las escalas de Guitar en afinación DADGAD