Escala de La# Enigmática para Guitar
Escala de Guitar en afinación Double Drop D — diagrama de diapasón
La# Enigmática en Double Drop D — Notas e Intervalos
La escala Enigmática de A# se inventó como un rompecabezas musical — la usó Verdi de forma célebre. En Guitar, las notas son A#, B, D, E, F#, G#, A. Suena inestable y surreal porque carece de los grados tradicionales de cuarta y quinta, creando un efecto deslizante que desafía las expectativas del oyente. Muy curiosa para experimentar. Usada comúnmente en Classical, Experimental, Film Scores. Entre los intérpretes destacados se encuentran Giuseppe Verdi, Igor Stravinsky. Not chord-specific — this is a melodic scale for creating surreal, non-functional passages. Use over sustained pedal tones or atonal contexts.
Notas: La#, Si, Re, Mi, Fa#, Sol#, La
Intervalos: 1P, 2m, 3M, 5d, 6m, 7m, 7M
Grados: 1 b2 3 4 b5 b6 7
Fórmula: H-WH-W-W-W-H-H
Número de notas: 7
Afinación: Double Drop D (D-A-D-G-B-D)
Acerca de la Afinación Double Drop D
Double Drop D tuning (D-A-D-G-B-D) lowers both the 6th and 1st strings from E to D, creating a symmetrical frame of D notes around the standard middle four strings. This gives a distinctly resonant, jangly character that has been beloved in folk-rock and acoustic music since the late 1960s.
Neil Young used Double Drop D extensively — 'Cinnamon Girl' features its distinctive droning riff, and 'The Needle and the Damage Done' showcases its intimate fingerpicking potential. Jimmy Page used it on Led Zeppelin's 'Going to California'. Fleetwood Mac's 'The Chain' also employs this tuning. Because only two strings change (both by just one whole step), Double Drop D is one of the easiest alternate tunings to learn — most standard chord shapes on the inner four strings remain unchanged.
Artistas destacados: Neil Young, Jimmy Page (Led Zeppelin), Fleetwood Mac, Crosby Stills Nash & Young
Ideal para: Folk-rock songwriting, D-centric acoustic arrangements, droning fingerpicking patterns, and any song that benefits from rich D-string resonance on both outer strings
Carácter Musical
Invented as a musical puzzle — lacks the traditional 4th and 5th degrees, creating a gliding, rootless sensation. Verdi used it in his Ave Maria to challenge conventional harmony.
Explorar Esta Escala en Otras Afinaciones
- La# Enigmática en Afinación Estándar
- La# Enigmática en Drop D
- La# Enigmática en DADGAD
- La# Enigmática en Open G
- La# Enigmática en Baritone (B Standard)
- La# Enigmática en 7-string
- La# Enigmática en 8-string
- La# Enigmática en Drop C
- La# Enigmática en Drop B
- La# Enigmática en Open D
- La# Enigmática en Half Step Down
- La# Enigmática en Open E
- La# Enigmática en Open A
- La# Enigmática en Open C