Escala de La# Hirajoshi para Guitar
Escala de Guitar en afinación Double Drop D — diagrama de diapasón
La# Hirajoshi en Double Drop D — Notas e Intervalos
La escala Hirajoshi de A# es la escala japonesa más icónica — originalmente para afinar el koto. En Guitar, las notas son A#, C, C#, F, F#. Sus intervalos conmovedores crean un sonido nostálgico y tradicional que muchos guitarristas de rock han adoptado para añadir un matiz oriental a la música moderna. Usada comúnmente en Japanese, Rock, Metal, Ambient, Film Scores. Entre los intérpretes destacados se encuentran Joe Satriani, Marty Friedman, Miyavi. Use over minor chords, sus2, and open string drones. Works beautifully with ambient effects and reverb for atmospheric textures.
Notas: La#, Do, Do#, Fa, Fa#
Intervalos: 1P, 2M, 3m, 5P, 6m
Grados: 1 2 b3 4 b5
Fórmula: W-H-4-H-4
Número de notas: 5
Afinación: Double Drop D (D-A-D-G-B-D)
Acerca de la Afinación Double Drop D
Double Drop D tuning (D-A-D-G-B-D) lowers both the 6th and 1st strings from E to D, creating a symmetrical frame of D notes around the standard middle four strings. This gives a distinctly resonant, jangly character that has been beloved in folk-rock and acoustic music since the late 1960s.
Neil Young used Double Drop D extensively — 'Cinnamon Girl' features its distinctive droning riff, and 'The Needle and the Damage Done' showcases its intimate fingerpicking potential. Jimmy Page used it on Led Zeppelin's 'Going to California'. Fleetwood Mac's 'The Chain' also employs this tuning. Because only two strings change (both by just one whole step), Double Drop D is one of the easiest alternate tunings to learn — most standard chord shapes on the inner four strings remain unchanged.
Artistas destacados: Neil Young, Jimmy Page (Led Zeppelin), Fleetwood Mac, Crosby Stills Nash & Young
Ideal para: Folk-rock songwriting, D-centric acoustic arrangements, droning fingerpicking patterns, and any song that benefits from rich D-string resonance on both outer strings
Carácter Musical
The most iconic Japanese scale — its wide intervals create beautiful string-skipping patterns on guitar. Originally a Koto tuning, it translates perfectly to the guitar's range.
Explorar Esta Escala en Otras Afinaciones
- La# Hirajoshi en Afinación Estándar
- La# Hirajoshi en Drop D
- La# Hirajoshi en DADGAD
- La# Hirajoshi en Open G
- La# Hirajoshi en Baritone (B Standard)
- La# Hirajoshi en 7-string
- La# Hirajoshi en 8-string
- La# Hirajoshi en Drop C
- La# Hirajoshi en Drop B
- La# Hirajoshi en Open D
- La# Hirajoshi en Half Step Down
- La# Hirajoshi en Open E
- La# Hirajoshi en Open A
- La# Hirajoshi en Open C