Escala de Si Mixolidia b6 para Guitar

Si Mixolidia b6 en Double Drop D — Notas e Intervalos

La escala Mixolidia b6 de B es una escala dominante melancólica — la usas cuando una canción está en mayor pero el acorde dominante necesita resolver hacia menor. En Guitar, las notas son B, C#, D#, E, F#, G, A. Funciona como puente entre el mundo mayor brillante y el menor triste. Perfecta para transiciones emotivas. Usada comúnmente en Jazz, Film Scores, Classical, Melodic Metal. Entre los intérpretes destacados se encuentran Hans Zimmer, Ennio Morricone. Use over dominant 7th chords that resolve to minor (V7 → im). The scale that bridges major happiness and minor sadness.

Notas: Si, Do#, Re#, Mi, Fa#, Sol, La

Intervalos: 1P, 2M, 3M, 4P, 5P, 6m, 7m

Grados: 1 2 3 4 5 b6 b7

Fórmula: W-W-H-W-H-W-W

Número de notas: 7

Afinación: Double Drop D (D-A-D-G-B-D)

También conocido como: melodic minor fifth mode, hindu

Acerca de la Afinación Double Drop D

Double Drop D tuning (D-A-D-G-B-D) lowers both the 6th and 1st strings from E to D, creating a symmetrical frame of D notes around the standard middle four strings. This gives a distinctly resonant, jangly character that has been beloved in folk-rock and acoustic music since the late 1960s.

Neil Young used Double Drop D extensively — 'Cinnamon Girl' features its distinctive droning riff, and 'The Needle and the Damage Done' showcases its intimate fingerpicking potential. Jimmy Page used it on Led Zeppelin's 'Going to California'. Fleetwood Mac's 'The Chain' also employs this tuning. Because only two strings change (both by just one whole step), Double Drop D is one of the easiest alternate tunings to learn — most standard chord shapes on the inner four strings remain unchanged.

Artistas destacados: Neil Young, Jimmy Page (Led Zeppelin), Fleetwood Mac, Crosby Stills Nash & Young

Ideal para: Folk-rock songwriting, D-centric acoustic arrangements, droning fingerpicking patterns, and any song that benefits from rich D-string resonance on both outer strings

Carácter Musical

A 'sad dominant' — major 3rd says happy, b6 says sad, b7 says dominant. This emotional contradiction makes it perfect for scenes of bittersweet triumph or pyrrhic victory.

Explorar Esta Escala en Otras Afinaciones

• Si Mixolidia b6 en Afinación Estándar
• Si Mixolidia b6 en Drop D
• Si Mixolidia b6 en DADGAD
• Si Mixolidia b6 en Open G
• Si Mixolidia b6 en Baritone (B Standard)
• Si Mixolidia b6 en 7-string
• Si Mixolidia b6 en 8-string
• Si Mixolidia b6 en Drop C
• Si Mixolidia b6 en Drop B
• Si Mixolidia b6 en Open D
• Si Mixolidia b6 en Half Step Down
• Si Mixolidia b6 en Open E
• Si Mixolidia b6 en Open A
• Si Mixolidia b6 en Open C

← Todas las escalas de Guitar en afinación Double Drop D