Escala de Do Prometheus para Guitar

Do Prometheus en Double Drop D — Notas e Intervalos

La escala Prometheus de C la desarrolló Scriabin como su Escala Mística. En Guitar, las notas son C, D, E, F#, A, Bb. Es un sistema hexatónico sintético que diseñó para reflejar sus creencias teosóficas — suena a algo que trasciende las escalas convencionales. Muy interesante si te atrae la música de principios del siglo XX. Usada comúnmente en Contemporary Classical, Impressionist, Experimental, Film Scores. Entre los intérpretes destacados se encuentran Alexander Scriabin, George Crumb. Use over the Mystic Chord (C-F#-Bb-E-A-D) and its inversions. Also works over 7#11 chords as a sophisticated alternative to Lydian Dominant.

Notas: Do, Re, Mi, Fa#, La, Sib

Intervalos: 1P, 2M, 3M, 4A, 6M, 7m

Grados: 1 2 3 #4 5 b6

Fórmula: W-W-W-WH-H-W

Número de notas: 6

Afinación: Double Drop D (D-A-D-G-B-D)

Acerca de la Afinación Double Drop D

Double Drop D tuning (D-A-D-G-B-D) lowers both the 6th and 1st strings from E to D, creating a symmetrical frame of D notes around the standard middle four strings. This gives a distinctly resonant, jangly character that has been beloved in folk-rock and acoustic music since the late 1960s.

Neil Young used Double Drop D extensively — 'Cinnamon Girl' features its distinctive droning riff, and 'The Needle and the Damage Done' showcases its intimate fingerpicking potential. Jimmy Page used it on Led Zeppelin's 'Going to California'. Fleetwood Mac's 'The Chain' also employs this tuning. Because only two strings change (both by just one whole step), Double Drop D is one of the easiest alternate tunings to learn — most standard chord shapes on the inner four strings remain unchanged.

Artistas destacados: Neil Young, Jimmy Page (Led Zeppelin), Fleetwood Mac, Crosby Stills Nash & Young

Ideal para: Folk-rock songwriting, D-centric acoustic arrangements, droning fingerpicking patterns, and any song that benefits from rich D-string resonance on both outer strings

Carácter Musical

Scriabin's 'Mystic Chord' turned into a scale (1, 2, 3, #4, 6, b7). Designed to reflect theosophical beliefs about spiritual transcendence — neither major nor minor, but something beyond both.

Explorar Esta Escala en Otras Afinaciones

• Do Prometheus en Afinación Estándar
• Do Prometheus en Drop D
• Do Prometheus en DADGAD
• Do Prometheus en Open G
• Do Prometheus en Baritone (B Standard)
• Do Prometheus en 7-string
• Do Prometheus en 8-string
• Do Prometheus en Drop C
• Do Prometheus en Drop B
• Do Prometheus en Open D
• Do Prometheus en Half Step Down
• Do Prometheus en Open E
• Do Prometheus en Open A
• Do Prometheus en Open C

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