Escala de Do# Ultralocria para Guitar
Escala de Guitar en afinación Double Drop D — diagrama de diapasón
Do# Ultralocria en Double Drop D — Notas e Intervalos
La escala Ultralocria de C# es extremadamente oscura y condensada — ideal para crear tensión cromática intensa. En Guitar, las notas son C#, D, E, F, G, A, Bb. Se usa en jazz de vanguardia y música ambiental oscura para explorar los límites más disonantes de la tonalidad menor. No es para todos los días, pero tiene su momento. Usada comúnmente en Avant-Garde, Dark Ambient, Experimental Jazz. Entre los intérpretes destacados se encuentran John Zorn, Derek Bailey. Use over dim7 chords in avant-garde contexts. More of a compositional tool than an improvisational one.
Notas: Do#, Re, Mi, Fa, Sol, La, Sib
Intervalos: 1P, 2m, 3m, 4d, 5d, 6m, 7d
Grados: 1 b2 b3 4 5 b6 7
Fórmula: H-W-H-W-W-H-WH
Número de notas: 7
Afinación: Double Drop D (D-A-D-G-B-D)
También conocido como: superlocrian bb7, superlocrian diminished
Acerca de la Afinación Double Drop D
Double Drop D tuning (D-A-D-G-B-D) lowers both the 6th and 1st strings from E to D, creating a symmetrical frame of D notes around the standard middle four strings. This gives a distinctly resonant, jangly character that has been beloved in folk-rock and acoustic music since the late 1960s.
Neil Young used Double Drop D extensively — 'Cinnamon Girl' features its distinctive droning riff, and 'The Needle and the Damage Done' showcases its intimate fingerpicking potential. Jimmy Page used it on Led Zeppelin's 'Going to California'. Fleetwood Mac's 'The Chain' also employs this tuning. Because only two strings change (both by just one whole step), Double Drop D is one of the easiest alternate tunings to learn — most standard chord shapes on the inner four strings remain unchanged.
Artistas destacados: Neil Young, Jimmy Page (Led Zeppelin), Fleetwood Mac, Crosby Stills Nash & Young
Ideal para: Folk-rock songwriting, D-centric acoustic arrangements, droning fingerpicking patterns, and any song that benefits from rich D-string resonance on both outer strings
Carácter Musical
The darkest mode of the harmonic minor — so dark it has a diminished 4th (bb7), making it almost chromatic. Used to push dissonance to its absolute limit.
Explorar Esta Escala en Otras Afinaciones
- Do# Ultralocria en Afinación Estándar
- Do# Ultralocria en Drop D
- Do# Ultralocria en DADGAD
- Do# Ultralocria en Open G
- Do# Ultralocria en Baritone (B Standard)
- Do# Ultralocria en 7-string
- Do# Ultralocria en 8-string
- Do# Ultralocria en Drop C
- Do# Ultralocria en Drop B
- Do# Ultralocria en Open D
- Do# Ultralocria en Half Step Down
- Do# Ultralocria en Open E
- Do# Ultralocria en Open A
- Do# Ultralocria en Open C