Escala de Re Pentatónica Mayor para Guitar
Escala de Guitar en afinación Double Drop D — diagrama de diapasón
Re Pentatónica Mayor en Double Drop D — Notas e Intervalos
La escala Pentatónica Mayor de D — cinco notas y funciona en prácticamente cualquier contexto. En Guitar, las notas son D, E, F#, A, B. Es universal: la encuentras en country, pop, blues, música china, folk celta... Lo bueno de esta escala es que casi cualquier nota suena bien sobre armonías mayores. Perfecta para empezar a improvisar. Usada comúnmente en Country, Pop, Rock, Blues, Folk. Entre los intérpretes destacados se encuentran Keith Richards, B.B. King, John Mayer, Eric Clapton. Use over any major chord, major key progression, or dominant 7th chord. The safest and most universal soloing tool.
Notas: Re, Mi, Fa#, La, Si
Intervalos: 1P, 2M, 3M, 5P, 6M
Grados: 1 2 3 4 5
Fórmula: W-W-WH-W-WH
Número de notas: 5
Afinación: Double Drop D (D-A-D-G-B-D)
También conocido como: pentatonic
Acerca de la Afinación Double Drop D
Double Drop D tuning (D-A-D-G-B-D) lowers both the 6th and 1st strings from E to D, creating a symmetrical frame of D notes around the standard middle four strings. This gives a distinctly resonant, jangly character that has been beloved in folk-rock and acoustic music since the late 1960s.
Neil Young used Double Drop D extensively — 'Cinnamon Girl' features its distinctive droning riff, and 'The Needle and the Damage Done' showcases its intimate fingerpicking potential. Jimmy Page used it on Led Zeppelin's 'Going to California'. Fleetwood Mac's 'The Chain' also employs this tuning. Because only two strings change (both by just one whole step), Double Drop D is one of the easiest alternate tunings to learn — most standard chord shapes on the inner four strings remain unchanged.
Artistas destacados: Neil Young, Jimmy Page (Led Zeppelin), Fleetwood Mac, Crosby Stills Nash & Young
Ideal para: Folk-rock songwriting, D-centric acoustic arrangements, droning fingerpicking patterns, and any song that benefits from rich D-string resonance on both outer strings
Carácter Musical
By removing the 4th and 7th degrees from the major scale, all dissonant intervals disappear. Every note sounds 'right' — making it nearly impossible to play a wrong note over major harmony.
Progresiones de Acordes que Usan Esta Escala
- I – V – vi – IV (Pop Progression)Pop / Rock — Hope & Joy
- vi – IV – I – V (Melancholic Variation)Pop / Rock — Melancholy
- I – vi – IV – V (50s Doo-Wop)Pop / Rock — Nostalgia
- IV – V – I – vi (Unresolved Cycle)Pop / Rock — Dreamy & Cyclical
- IV – I – V – vi (Sensitive Pop)Pop / Rock — Uplifting
- I – IV – V (Rock & Folk Classic)Pop / Rock — Energy & Drive
- I – V – IV (Rock Ballad)Pop / Rock — Anthemic
- I – V – vi – iii – IV – I – IV – V (Pachelbel's Canon)Classical / Pop — Epic & Nostalgic
- I – vi – ii – V (Jazz Turnaround)Jazz / Soul — Sophistication
- ii – V – I (Jazz ii–V–I)Jazz / Soul — Sophistication
- IV – V – iii – vi (Royal Road (J-Pop))World / J-Pop — Yearning & Nostalgia
- IV – V – iii – vi – ii – V – I (Japanese Circle)World / J-Pop — Complete Resolution
- I – I+ – I6 – I7 (Ascending Augmented)Classical / Pop — Hopeful & Yearning
Explorar Esta Escala en Otras Afinaciones
- Re Pentatónica Mayor en Afinación Estándar
- Re Pentatónica Mayor en Drop D
- Re Pentatónica Mayor en DADGAD
- Re Pentatónica Mayor en Open G
- Re Pentatónica Mayor en Baritone (B Standard)
- Re Pentatónica Mayor en 7-string
- Re Pentatónica Mayor en 8-string
- Re Pentatónica Mayor en Drop C
- Re Pentatónica Mayor en Drop B
- Re Pentatónica Mayor en Open D
- Re Pentatónica Mayor en Half Step Down
- Re Pentatónica Mayor en Open E
- Re Pentatónica Mayor en Open A
- Re Pentatónica Mayor en Open C