Escala de Fa# Locria #2 para Guitar
Escala de Guitar en afinación Double Drop D — diagrama de diapasón
Fa# Locria #2 en Double Drop D — Notas e Intervalos
La escala Locria #2 de F# es una versión más usable del modo Locrio estándar. En Guitar, las notas son F#, G#, A, B, C, D, E. Es la opción preferida en jazz para improvisar sobre acordes semidisminuidos — esa segunda natural permite una conducción de voces mucho más suave y melódica que el Locrio puro. Usada comúnmente en Jazz, Post-Bop, Contemporary. Entre los intérpretes destacados se encuentran John Coltrane, Woody Shaw, Steve Coleman. Use over m7b5 chords. The preferred jazz choice over half-diminished chords (vs standard Locrian which sounds too harsh).
Notas: Fa#, Sol#, La, Si, Do, Re, Mi
Intervalos: 1P, 2M, 3m, 4P, 5d, 6m, 7m
Grados: 1 2 b3 4 5 b6 b7
Fórmula: W-H-W-H-W-W-W
Número de notas: 7
Afinación: Double Drop D (D-A-D-G-B-D)
También conocido como: half-diminished, aeolian b5
Acerca de la Afinación Double Drop D
Double Drop D tuning (D-A-D-G-B-D) lowers both the 6th and 1st strings from E to D, creating a symmetrical frame of D notes around the standard middle four strings. This gives a distinctly resonant, jangly character that has been beloved in folk-rock and acoustic music since the late 1960s.
Neil Young used Double Drop D extensively — 'Cinnamon Girl' features its distinctive droning riff, and 'The Needle and the Damage Done' showcases its intimate fingerpicking potential. Jimmy Page used it on Led Zeppelin's 'Going to California'. Fleetwood Mac's 'The Chain' also employs this tuning. Because only two strings change (both by just one whole step), Double Drop D is one of the easiest alternate tunings to learn — most standard chord shapes on the inner four strings remain unchanged.
Artistas destacados: Neil Young, Jimmy Page (Led Zeppelin), Fleetwood Mac, Crosby Stills Nash & Young
Ideal para: Folk-rock songwriting, D-centric acoustic arrangements, droning fingerpicking patterns, and any song that benefits from rich D-string resonance on both outer strings
Carácter Musical
The natural 2nd degree (vs b2 in standard Locrian) makes this vastly more usable — smoother voice leading while retaining the essential b5 for half-diminished harmony.
Explorar Esta Escala en Otras Afinaciones
- Fa# Locria #2 en Afinación Estándar
- Fa# Locria #2 en Drop D
- Fa# Locria #2 en DADGAD
- Fa# Locria #2 en Open G
- Fa# Locria #2 en Baritone (B Standard)
- Fa# Locria #2 en 7-string
- Fa# Locria #2 en 8-string
- Fa# Locria #2 en Drop C
- Fa# Locria #2 en Drop B
- Fa# Locria #2 en Open D
- Fa# Locria #2 en Half Step Down
- Fa# Locria #2 en Open E
- Fa# Locria #2 en Open A
- Fa# Locria #2 en Open C