Escala de Sol# Leading Whole Tone para Guitar
Escala de Guitar en afinación Double Drop D — diagrama de diapasón
Sol# Leading Whole Tone en Double Drop D — Notas e Intervalos
La escala Leading Whole Tone de G# es una escala simétrica que combina la ingravidez del sistema de tonos enteros con un toque final de tensión resolutiva. En Guitar, las notas son G#, A#, C, D, E, F#, G. Crea una sensación de flotación que finalmente encuentra un hogar — muy útil para transiciones. Usada comúnmente en Impressionist, Film Scores, Jazz. Entre los intérpretes destacados se encuentran Claude Debussy, Maurice Ravel. Use as a transition device or over augmented chords that need to resolve. The leading tone provides a gentle gravitational pull absent in pure whole tone.
Notas: Sol#, La#, Do, Re, Mi, Fa#, Sol
Intervalos: 1P, 2M, 3M, 4A, 5A, 7m, 7M
Grados: 1 2 3 #4 #5 b6 7
Fórmula: W-W-W-W-W-H-H
Número de notas: 7
Afinación: Double Drop D (D-A-D-G-B-D)
Acerca de la Afinación Double Drop D
Double Drop D tuning (D-A-D-G-B-D) lowers both the 6th and 1st strings from E to D, creating a symmetrical frame of D notes around the standard middle four strings. This gives a distinctly resonant, jangly character that has been beloved in folk-rock and acoustic music since the late 1960s.
Neil Young used Double Drop D extensively — 'Cinnamon Girl' features its distinctive droning riff, and 'The Needle and the Damage Done' showcases its intimate fingerpicking potential. Jimmy Page used it on Led Zeppelin's 'Going to California'. Fleetwood Mac's 'The Chain' also employs this tuning. Because only two strings change (both by just one whole step), Double Drop D is one of the easiest alternate tunings to learn — most standard chord shapes on the inner four strings remain unchanged.
Artistas destacados: Neil Young, Jimmy Page (Led Zeppelin), Fleetwood Mac, Crosby Stills Nash & Young
Ideal para: Folk-rock songwriting, D-centric acoustic arrangements, droning fingerpicking patterns, and any song that benefits from rich D-string resonance on both outer strings
Carácter Musical
Combines the weightless blur of the whole-tone scale with a final half-step that provides just enough resolution tension — floating that eventually finds a home.
Explorar Esta Escala en Otras Afinaciones
- Sol# Leading Whole Tone en Afinación Estándar
- Sol# Leading Whole Tone en Drop D
- Sol# Leading Whole Tone en DADGAD
- Sol# Leading Whole Tone en Open G
- Sol# Leading Whole Tone en Baritone (B Standard)
- Sol# Leading Whole Tone en 7-string
- Sol# Leading Whole Tone en 8-string
- Sol# Leading Whole Tone en Drop C
- Sol# Leading Whole Tone en Drop B
- Sol# Leading Whole Tone en Open D
- Sol# Leading Whole Tone en Half Step Down
- Sol# Leading Whole Tone en Open E
- Sol# Leading Whole Tone en Open A
- Sol# Leading Whole Tone en Open C