Escala de Si Locria #2 para Guitar
Escala de Guitar en afinación Half Step Down — diagrama de diapasón
Si Locria #2 en Half Step Down — Notas e Intervalos
La escala Locria #2 de B es una versión más usable del modo Locrio estándar. En Guitar, las notas son B, C#, D, E, F, G, A. Es la opción preferida en jazz para improvisar sobre acordes semidisminuidos — esa segunda natural permite una conducción de voces mucho más suave y melódica que el Locrio puro. Usada comúnmente en Jazz, Post-Bop, Contemporary. Entre los intérpretes destacados se encuentran John Coltrane, Woody Shaw, Steve Coleman. Use over m7b5 chords. The preferred jazz choice over half-diminished chords (vs standard Locrian which sounds too harsh).
Notas: Si, Do#, Re, Mi, Fa, Sol, La
Intervalos: 1P, 2M, 3m, 4P, 5d, 6m, 7m
Grados: 1 2 b3 4 5 b6 b7
Fórmula: W-H-W-H-W-W-W
Número de notas: 7
Afinación: Half Step Down (Eb-Ab-Db-Gb-Bb-Eb)
También conocido como: half-diminished, aeolian b5
Acerca de la Afinación Half Step Down
Eb Standard tuning lowers every string by one half step (Eb-Ab-Db-Gb-Bb-Eb), producing a slightly darker, heavier tone while keeping all standard chord shapes and scale patterns intact. This tuning has been the default for some of the greatest guitarists in rock and blues history, including Jimi Hendrix, Stevie Ray Vaughan, and Slash.
The half-step drop reduces string tension, making bending easier and giving a warmer, slightly thicker tone. For vocalists, the lower pitch can make singing more comfortable. Jimi Hendrix tuned to Eb on virtually all of his recordings — from 'Voodoo Child (Slight Return)' to 'Little Wing'. Stevie Ray Vaughan paired Eb tuning with very heavy strings to create his legendary thick tone on classics like 'Pride and Joy' and 'Texas Flood'. Slash used Eb for most Guns N' Roses recordings including 'Sweet Child O' Mine' and 'November Rain'. Alice in Chains also recorded extensively in Eb Standard.
Artistas destacados: Jimi Hendrix, Stevie Ray Vaughan, Slash (Guns N' Roses), Alice in Chains, Nirvana
Ideal para: Blues-rock, classic rock, and any style where you want easier bending, slightly darker tone, and full compatibility with standard tuning shapes
Carácter Musical
The natural 2nd degree (vs b2 in standard Locrian) makes this vastly more usable — smoother voice leading while retaining the essential b5 for half-diminished harmony.
Explorar Esta Escala en Otras Afinaciones
- Si Locria #2 en Afinación Estándar
- Si Locria #2 en Drop D
- Si Locria #2 en DADGAD
- Si Locria #2 en Open G
- Si Locria #2 en Baritone (B Standard)
- Si Locria #2 en 7-string
- Si Locria #2 en 8-string
- Si Locria #2 en Drop C
- Si Locria #2 en Drop B
- Si Locria #2 en Open D
- Si Locria #2 en Open E
- Si Locria #2 en Open A
- Si Locria #2 en Double Drop D
- Si Locria #2 en Open C