Escala de Do# Dórica para Guitar

Do# Dórica en Half Step Down — Notas e Intervalos

La escala Dórica de C# es el segundo modo de la mayor, y tiene un sonido menor pero con más luz que la menor natural — gracias a esa sexta mayor. En Guitar, las notas son C#, D#, E, F#, G#, A#, B. Si te gusta el jazz, el funk o el blues modal, esta es tu escala. La vas a encontrar en temas de Miles Davis, Santana y en cualquier jam de funk. Los acordes diatónicos de C# Dórica son C#m7, D#m7, EMaj7, F#7, G#m7, A#m7b5, BMaj7. Usada comúnmente en Funk, Jazz, Fusion, Neo-Soul, Blues. Entre los intérpretes destacados se encuentran Miles Davis, Herbie Hancock, Carlos Santana, D'Angelo. Use over m7, m9, m11, m13 chords. The go-to scale for any minor chord in funk, jazz, and soul. Works especially well over long minor vamps.

Notas: Do#, Re#, Mi, Fa#, Sol#, La#, Si

Intervalos: 1P, 2M, 3m, 4P, 5P, 6M, 7m

Grados: 1 2 b3 4 5 6 b7

Fórmula: W-H-W-W-W-H-W

Número de notas: 7

Afinación: Half Step Down (Eb-Ab-Db-Gb-Bb-Eb)

Acordes Diatónicos

C♯m7 — D♯m7 — EMaj7 — F♯7 — G♯m7 — A♯m7♭5 — BMaj7

Acerca de la Afinación Half Step Down

Eb Standard tuning lowers every string by one half step (Eb-Ab-Db-Gb-Bb-Eb), producing a slightly darker, heavier tone while keeping all standard chord shapes and scale patterns intact. This tuning has been the default for some of the greatest guitarists in rock and blues history, including Jimi Hendrix, Stevie Ray Vaughan, and Slash.

The half-step drop reduces string tension, making bending easier and giving a warmer, slightly thicker tone. For vocalists, the lower pitch can make singing more comfortable. Jimi Hendrix tuned to Eb on virtually all of his recordings — from 'Voodoo Child (Slight Return)' to 'Little Wing'. Stevie Ray Vaughan paired Eb tuning with very heavy strings to create his legendary thick tone on classics like 'Pride and Joy' and 'Texas Flood'. Slash used Eb for most Guns N' Roses recordings including 'Sweet Child O' Mine' and 'November Rain'. Alice in Chains also recorded extensively in Eb Standard.

Artistas destacados: Jimi Hendrix, Stevie Ray Vaughan, Slash (Guns N' Roses), Alice in Chains, Nirvana

Ideal para: Blues-rock, classic rock, and any style where you want easier bending, slightly darker tone, and full compatibility with standard tuning shapes

Carácter Musical

The natural 6th degree (vs b6 in Aeolian) gives Dorian its signature 'hopeful minor' character — darker than major, but brighter than natural minor.

Progresiones de Acordes que Usan Esta Escala

• I – V – vi – IV (Pop Progression)Pop / Rock — Hope & Joy
• vi – IV – I – V (Melancholic Variation)Pop / Rock — Melancholy
• ii – V – I (Jazz ii–V–I)Jazz / Soul — Sophistication
• ii – bII7 – I (Tritone Substitution)Jazz / Soul — Mystery & Tension
• IV – V – iii – vi (Royal Road (J-Pop))World / J-Pop — Yearning & Nostalgia
• IV – V – iii – vi – ii – V – I (Japanese Circle)World / J-Pop — Complete Resolution
• i – iv – i – V (Minor Blues)Blues — Melancholy
• i – VI – III – VII (Cinematic Minor)Contemporary / Film — Dramatic & Dark
• vi – viM7 – vi7 – II (Descending Minor Cliché)Classical / Pop — Romance & Intrigue
• iv – ♭VII – I (Backdoor Cadence)Jazz / Soul — Soulful & Unexpected

Explorar Esta Escala en Otras Afinaciones

• Do# Dórica en Afinación Estándar
• Do# Dórica en Drop D
• Do# Dórica en DADGAD
• Do# Dórica en Open G
• Do# Dórica en Baritone (B Standard)
• Do# Dórica en 7-string
• Do# Dórica en 8-string
• Do# Dórica en Drop C
• Do# Dórica en Drop B
• Do# Dórica en Open D
• Do# Dórica en Open E
• Do# Dórica en Open A
• Do# Dórica en Double Drop D
• Do# Dórica en Open C

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