Escala de Do# Modo de Messiaen #3 para Guitar
Escala de Guitar en afinación Half Step Down — diagrama de diapasón
Do# Modo de Messiaen #3 en Half Step Down — Notas e Intervalos
La escala Modo de Messiaen #3 de C# es una escala simétrica de nueve notas de Olivier Messiaen. En Guitar, las notas son C#, D#, E, F, G, G#, A, B, C. Crea una tonalidad cósmica y suspendida que se siente religiosa y científica a la vez — evoca una sensación de asombro divino. Para los que buscan algo realmente fuera de lo común. Usada comúnmente en Contemporary Classical, Film Scores, Ambient, Experimental. Entre los intérpretes destacados se encuentran Olivier Messiaen, Gyorgy Ligeti, Thomas Ades. Use for creating atmospheres of 'cosmic awe'. Not bound to traditional chord progressions — works best over sustained harmonies or ostinato patterns.
Notas: Do#, Re#, Mi, Fa, Sol, Sol#, La, Si, Do
Intervalos: 1P, 2M, 3m, 3M, 4A, 5P, 6m, 7m, 7M
Grados: 1 2 b3 4 #5 6 b7 b8 9
Fórmula: W-H-H-W-H-H-W-H-H
Número de notas: 9
Afinación: Half Step Down (Eb-Ab-Db-Gb-Bb-Eb)
Acerca de la Afinación Half Step Down
Eb Standard tuning lowers every string by one half step (Eb-Ab-Db-Gb-Bb-Eb), producing a slightly darker, heavier tone while keeping all standard chord shapes and scale patterns intact. This tuning has been the default for some of the greatest guitarists in rock and blues history, including Jimi Hendrix, Stevie Ray Vaughan, and Slash.
The half-step drop reduces string tension, making bending easier and giving a warmer, slightly thicker tone. For vocalists, the lower pitch can make singing more comfortable. Jimi Hendrix tuned to Eb on virtually all of his recordings — from 'Voodoo Child (Slight Return)' to 'Little Wing'. Stevie Ray Vaughan paired Eb tuning with very heavy strings to create his legendary thick tone on classics like 'Pride and Joy' and 'Texas Flood'. Slash used Eb for most Guns N' Roses recordings including 'Sweet Child O' Mine' and 'November Rain'. Alice in Chains also recorded extensively in Eb Standard.
Artistas destacados: Jimi Hendrix, Stevie Ray Vaughan, Slash (Guns N' Roses), Alice in Chains, Nirvana
Ideal para: Blues-rock, classic rock, and any style where you want easier bending, slightly darker tone, and full compatibility with standard tuning shapes
Carácter Musical
A 9-note scale with limited transposition — only 4 unique transpositions exist before repeating. Creates a cosmic, suspended tonality that is neither major nor minor but something transcendent.
Explorar Esta Escala en Otras Afinaciones
- Do# Modo de Messiaen #3 en Afinación Estándar
- Do# Modo de Messiaen #3 en Drop D
- Do# Modo de Messiaen #3 en DADGAD
- Do# Modo de Messiaen #3 en Open G
- Do# Modo de Messiaen #3 en Baritone (B Standard)
- Do# Modo de Messiaen #3 en 7-string
- Do# Modo de Messiaen #3 en 8-string
- Do# Modo de Messiaen #3 en Drop C
- Do# Modo de Messiaen #3 en Drop B
- Do# Modo de Messiaen #3 en Open D
- Do# Modo de Messiaen #3 en Open E
- Do# Modo de Messiaen #3 en Open A
- Do# Modo de Messiaen #3 en Double Drop D
- Do# Modo de Messiaen #3 en Open C