Escala de Do# Prometheus para Guitar
Escala de Guitar en afinación Half Step Down — diagrama de diapasón
Do# Prometheus en Half Step Down — Notas e Intervalos
La escala Prometheus de C# la desarrolló Scriabin como su Escala Mística. En Guitar, las notas son C#, D#, F, G, A#, B. Es un sistema hexatónico sintético que diseñó para reflejar sus creencias teosóficas — suena a algo que trasciende las escalas convencionales. Muy interesante si te atrae la música de principios del siglo XX. Usada comúnmente en Contemporary Classical, Impressionist, Experimental, Film Scores. Entre los intérpretes destacados se encuentran Alexander Scriabin, George Crumb. Use over the Mystic Chord (C-F#-Bb-E-A-D) and its inversions. Also works over 7#11 chords as a sophisticated alternative to Lydian Dominant.
Notas: Do#, Re#, Fa, Sol, La#, Si
Intervalos: 1P, 2M, 3M, 4A, 6M, 7m
Grados: 1 2 3 #4 5 b6
Fórmula: W-W-W-WH-H-W
Número de notas: 6
Afinación: Half Step Down (Eb-Ab-Db-Gb-Bb-Eb)
Acerca de la Afinación Half Step Down
Eb Standard tuning lowers every string by one half step (Eb-Ab-Db-Gb-Bb-Eb), producing a slightly darker, heavier tone while keeping all standard chord shapes and scale patterns intact. This tuning has been the default for some of the greatest guitarists in rock and blues history, including Jimi Hendrix, Stevie Ray Vaughan, and Slash.
The half-step drop reduces string tension, making bending easier and giving a warmer, slightly thicker tone. For vocalists, the lower pitch can make singing more comfortable. Jimi Hendrix tuned to Eb on virtually all of his recordings — from 'Voodoo Child (Slight Return)' to 'Little Wing'. Stevie Ray Vaughan paired Eb tuning with very heavy strings to create his legendary thick tone on classics like 'Pride and Joy' and 'Texas Flood'. Slash used Eb for most Guns N' Roses recordings including 'Sweet Child O' Mine' and 'November Rain'. Alice in Chains also recorded extensively in Eb Standard.
Artistas destacados: Jimi Hendrix, Stevie Ray Vaughan, Slash (Guns N' Roses), Alice in Chains, Nirvana
Ideal para: Blues-rock, classic rock, and any style where you want easier bending, slightly darker tone, and full compatibility with standard tuning shapes
Carácter Musical
Scriabin's 'Mystic Chord' turned into a scale (1, 2, 3, #4, 6, b7). Designed to reflect theosophical beliefs about spiritual transcendence — neither major nor minor, but something beyond both.
Explorar Esta Escala en Otras Afinaciones
- Do# Prometheus en Afinación Estándar
- Do# Prometheus en Drop D
- Do# Prometheus en DADGAD
- Do# Prometheus en Open G
- Do# Prometheus en Baritone (B Standard)
- Do# Prometheus en 7-string
- Do# Prometheus en 8-string
- Do# Prometheus en Drop C
- Do# Prometheus en Drop B
- Do# Prometheus en Open D
- Do# Prometheus en Open E
- Do# Prometheus en Open A
- Do# Prometheus en Double Drop D
- Do# Prometheus en Open C