Escala de Re Locria Mayor para Guitar
Escala de Guitar en afinación Half Step Down — diagrama de diapasón
Re Locria Mayor en Half Step Down — Notas e Intervalos
La escala Locria Mayor de D es un híbrido del siglo XX — combina la estabilidad de una tercera mayor con la disonancia de una base Locria. En Guitar, las notas son D, E, F#, G, Ab, Bb, C. La usaron compositores experimentales para crear un sonido que resulta familiar y alienígena al mismo tiempo. Usada comúnmente en Experimental, Contemporary Classical, Avant-Garde. Entre los intérpretes destacados se encuentran Bela Bartok, Gyorgy Ligeti. Use in experimental composition over polytonal or atonal passages. A tool for creating cognitive dissonance.
Notas: Re, Mi, Fa#, Sol, Lab, Sib, Do
Intervalos: 1P, 2M, 3M, 4P, 5d, 6m, 7m
Grados: 1 2 3 4 5 b6 b7
Fórmula: W-W-H-H-W-W-W
Número de notas: 7
Afinación: Half Step Down (Eb-Ab-Db-Gb-Bb-Eb)
También conocido como: arabian
Acerca de la Afinación Half Step Down
Eb Standard tuning lowers every string by one half step (Eb-Ab-Db-Gb-Bb-Eb), producing a slightly darker, heavier tone while keeping all standard chord shapes and scale patterns intact. This tuning has been the default for some of the greatest guitarists in rock and blues history, including Jimi Hendrix, Stevie Ray Vaughan, and Slash.
The half-step drop reduces string tension, making bending easier and giving a warmer, slightly thicker tone. For vocalists, the lower pitch can make singing more comfortable. Jimi Hendrix tuned to Eb on virtually all of his recordings — from 'Voodoo Child (Slight Return)' to 'Little Wing'. Stevie Ray Vaughan paired Eb tuning with very heavy strings to create his legendary thick tone on classics like 'Pride and Joy' and 'Texas Flood'. Slash used Eb for most Guns N' Roses recordings including 'Sweet Child O' Mine' and 'November Rain'. Alice in Chains also recorded extensively in Eb Standard.
Artistas destacados: Jimi Hendrix, Stevie Ray Vaughan, Slash (Guns N' Roses), Alice in Chains, Nirvana
Ideal para: Blues-rock, classic rock, and any style where you want easier bending, slightly darker tone, and full compatibility with standard tuning shapes
Carácter Musical
A major 3rd within a Locrian framework — the contradiction creates a sound that is both familiar (major) and alien (b2, b5) simultaneously.
Explorar Esta Escala en Otras Afinaciones
- Re Locria Mayor en Afinación Estándar
- Re Locria Mayor en Drop D
- Re Locria Mayor en DADGAD
- Re Locria Mayor en Open G
- Re Locria Mayor en Baritone (B Standard)
- Re Locria Mayor en 7-string
- Re Locria Mayor en 8-string
- Re Locria Mayor en Drop C
- Re Locria Mayor en Drop B
- Re Locria Mayor en Open D
- Re Locria Mayor en Open E
- Re Locria Mayor en Open A
- Re Locria Mayor en Double Drop D
- Re Locria Mayor en Open C