Escala de Re# Leading Whole Tone para Guitar
Escala de Guitar en afinación Half Step Down — diagrama de diapasón
Re# Leading Whole Tone en Half Step Down — Notas e Intervalos
La escala Leading Whole Tone de D# es una escala simétrica que combina la ingravidez del sistema de tonos enteros con un toque final de tensión resolutiva. En Guitar, las notas son D#, F, G, A, B, C#, D. Crea una sensación de flotación que finalmente encuentra un hogar — muy útil para transiciones. Usada comúnmente en Impressionist, Film Scores, Jazz. Entre los intérpretes destacados se encuentran Claude Debussy, Maurice Ravel. Use as a transition device or over augmented chords that need to resolve. The leading tone provides a gentle gravitational pull absent in pure whole tone.
Notas: Re#, Fa, Sol, La, Si, Do#, Re
Intervalos: 1P, 2M, 3M, 4A, 5A, 7m, 7M
Grados: 1 2 3 #4 #5 b6 7
Fórmula: W-W-W-W-W-H-H
Número de notas: 7
Afinación: Half Step Down (Eb-Ab-Db-Gb-Bb-Eb)
Acerca de la Afinación Half Step Down
Eb Standard tuning lowers every string by one half step (Eb-Ab-Db-Gb-Bb-Eb), producing a slightly darker, heavier tone while keeping all standard chord shapes and scale patterns intact. This tuning has been the default for some of the greatest guitarists in rock and blues history, including Jimi Hendrix, Stevie Ray Vaughan, and Slash.
The half-step drop reduces string tension, making bending easier and giving a warmer, slightly thicker tone. For vocalists, the lower pitch can make singing more comfortable. Jimi Hendrix tuned to Eb on virtually all of his recordings — from 'Voodoo Child (Slight Return)' to 'Little Wing'. Stevie Ray Vaughan paired Eb tuning with very heavy strings to create his legendary thick tone on classics like 'Pride and Joy' and 'Texas Flood'. Slash used Eb for most Guns N' Roses recordings including 'Sweet Child O' Mine' and 'November Rain'. Alice in Chains also recorded extensively in Eb Standard.
Artistas destacados: Jimi Hendrix, Stevie Ray Vaughan, Slash (Guns N' Roses), Alice in Chains, Nirvana
Ideal para: Blues-rock, classic rock, and any style where you want easier bending, slightly darker tone, and full compatibility with standard tuning shapes
Carácter Musical
Combines the weightless blur of the whole-tone scale with a final half-step that provides just enough resolution tension — floating that eventually finds a home.
Explorar Esta Escala en Otras Afinaciones
- Re# Leading Whole Tone en Afinación Estándar
- Re# Leading Whole Tone en Drop D
- Re# Leading Whole Tone en DADGAD
- Re# Leading Whole Tone en Open G
- Re# Leading Whole Tone en Baritone (B Standard)
- Re# Leading Whole Tone en 7-string
- Re# Leading Whole Tone en 8-string
- Re# Leading Whole Tone en Drop C
- Re# Leading Whole Tone en Drop B
- Re# Leading Whole Tone en Open D
- Re# Leading Whole Tone en Open E
- Re# Leading Whole Tone en Open A
- Re# Leading Whole Tone en Double Drop D
- Re# Leading Whole Tone en Open C