Escala de Re# Blues Mayor para Guitar
Escala de Guitar en afinación Half Step Down — diagrama de diapasón
Re# Blues Mayor en Half Step Down — Notas e Intervalos
La escala Blues Mayor de D# es la pentatónica mayor con una nota blue añadida para darle más expresividad. En Guitar, las notas son D#, F, F#, G, A#, C. Combina el carácter alegre de las tonalidades mayores con los bends y deslizamientos del blues. Va genial para country, swing y cualquier contexto de jazz-blues. Usada comúnmente en Blues, Country, Jazz, Swing, Southern Rock. Entre los intérpretes destacados se encuentran B.B. King, Stevie Ray Vaughan, Albert King. Use over major and dominant 7th chords in blues, country, and swing contexts. Mix with minor blues for complete blues vocabulary.
Notas: Re#, Fa, Fa#, Sol, La#, Do
Intervalos: 1P, 2M, 3m, 3M, 5P, 6M
Grados: 1 2 b3 4 5 6
Fórmula: W-H-H-WH-W-WH
Número de notas: 6
Afinación: Half Step Down (Eb-Ab-Db-Gb-Bb-Eb)
Acerca de la Afinación Half Step Down
Eb Standard tuning lowers every string by one half step (Eb-Ab-Db-Gb-Bb-Eb), producing a slightly darker, heavier tone while keeping all standard chord shapes and scale patterns intact. This tuning has been the default for some of the greatest guitarists in rock and blues history, including Jimi Hendrix, Stevie Ray Vaughan, and Slash.
The half-step drop reduces string tension, making bending easier and giving a warmer, slightly thicker tone. For vocalists, the lower pitch can make singing more comfortable. Jimi Hendrix tuned to Eb on virtually all of his recordings — from 'Voodoo Child (Slight Return)' to 'Little Wing'. Stevie Ray Vaughan paired Eb tuning with very heavy strings to create his legendary thick tone on classics like 'Pride and Joy' and 'Texas Flood'. Slash used Eb for most Guns N' Roses recordings including 'Sweet Child O' Mine' and 'November Rain'. Alice in Chains also recorded extensively in Eb Standard.
Artistas destacados: Jimi Hendrix, Stevie Ray Vaughan, Slash (Guns N' Roses), Alice in Chains, Nirvana
Ideal para: Blues-rock, classic rock, and any style where you want easier bending, slightly darker tone, and full compatibility with standard tuning shapes
Carácter Musical
Adds a 'blue note' (b3) to the major pentatonic, creating a brief clash between major and minor that gives the blues its characteristic sweet-and-sour emotional pull.
Progresiones de Acordes que Usan Esta Escala
- I – ♭VII – IV (Classic Rock Loop)Pop / Rock — Energy & Drive
- ♭VII – IV – I (Gospel Walk-Up)Blues — Spiritual & Uplifting
Explorar Esta Escala en Otras Afinaciones
- Re# Blues Mayor en Afinación Estándar
- Re# Blues Mayor en Drop D
- Re# Blues Mayor en DADGAD
- Re# Blues Mayor en Open G
- Re# Blues Mayor en Baritone (B Standard)
- Re# Blues Mayor en 7-string
- Re# Blues Mayor en 8-string
- Re# Blues Mayor en Drop C
- Re# Blues Mayor en Drop B
- Re# Blues Mayor en Open D
- Re# Blues Mayor en Open E
- Re# Blues Mayor en Open A
- Re# Blues Mayor en Double Drop D
- Re# Blues Mayor en Open C