Escala de Do# Modo de Messiaen #3 para Guitar
Escala de Guitar en afinación Open A — diagrama de diapasón
Do# Modo de Messiaen #3 en Open A — Notas e Intervalos
La escala Modo de Messiaen #3 de C# es una escala simétrica de nueve notas de Olivier Messiaen. En Guitar, las notas son C#, D#, E, F, G, G#, A, B, C. Crea una tonalidad cósmica y suspendida que se siente religiosa y científica a la vez — evoca una sensación de asombro divino. Para los que buscan algo realmente fuera de lo común. Usada comúnmente en Contemporary Classical, Film Scores, Ambient, Experimental. Entre los intérpretes destacados se encuentran Olivier Messiaen, Gyorgy Ligeti, Thomas Ades. Use for creating atmospheres of 'cosmic awe'. Not bound to traditional chord progressions — works best over sustained harmonies or ostinato patterns.
Notas: Do#, Re#, Mi, Fa, Sol, Sol#, La, Si, Do
Intervalos: 1P, 2M, 3m, 3M, 4A, 5P, 6m, 7m, 7M
Grados: 1 2 b3 4 #5 6 b7 b8 9
Fórmula: W-H-H-W-H-H-W-H-H
Número de notas: 9
Afinación: Open A (E-A-E-A-C#-E)
Acerca de la Afinación Open A
Open A tuning (E-A-E-A-C#-E) produces an A major chord when strummed open. It is structurally identical to Open G tuned up one whole step, delivering a brighter, more tense sound that works particularly well for slide guitar centered on the key of A.
Jimmy Page used Open A with a slide on Led Zeppelin's 'In My Time of Dying' from Physical Graffiti (1975). Rory Gallagher also employed Open A for his raw, energetic slide work. Many players achieve Open A by simply placing a capo at the 2nd fret in Open G tuning, which is why dedicated Open A usage is less commonly discussed. However, without a capo, Open A gives direct access to the open A string resonance and a different feel under the fingers due to the higher tension.
Artistas destacados: Jimmy Page, Rory Gallagher, Delta blues players
Ideal para: Slide guitar in the key of A, blues playing, and situations where you need the brightness of Open G tuned up without a capo
Carácter Musical
A 9-note scale with limited transposition — only 4 unique transpositions exist before repeating. Creates a cosmic, suspended tonality that is neither major nor minor but something transcendent.
Explorar Esta Escala en Otras Afinaciones
- Do# Modo de Messiaen #3 en Afinación Estándar
- Do# Modo de Messiaen #3 en Drop D
- Do# Modo de Messiaen #3 en DADGAD
- Do# Modo de Messiaen #3 en Open G
- Do# Modo de Messiaen #3 en Baritone (B Standard)
- Do# Modo de Messiaen #3 en 7-string
- Do# Modo de Messiaen #3 en 8-string
- Do# Modo de Messiaen #3 en Drop C
- Do# Modo de Messiaen #3 en Drop B
- Do# Modo de Messiaen #3 en Open D
- Do# Modo de Messiaen #3 en Half Step Down
- Do# Modo de Messiaen #3 en Open E
- Do# Modo de Messiaen #3 en Double Drop D
- Do# Modo de Messiaen #3 en Open C