Escala de Re Dórica para Guitar
Escala de Guitar en afinación Open A — diagrama de diapasón
Re Dórica en Open A — Notas e Intervalos
La escala Dórica de D es el segundo modo de la mayor, y tiene un sonido menor pero con más luz que la menor natural — gracias a esa sexta mayor. En Guitar, las notas son D, E, F, G, A, B, C. Si te gusta el jazz, el funk o el blues modal, esta es tu escala. La vas a encontrar en temas de Miles Davis, Santana y en cualquier jam de funk. Los acordes diatónicos de D Dórica son Dm7, Em7, FMaj7, G7, Am7, Bm7b5, CMaj7. Usada comúnmente en Funk, Jazz, Fusion, Neo-Soul, Blues. Entre los intérpretes destacados se encuentran Miles Davis, Herbie Hancock, Carlos Santana, D'Angelo. Use over m7, m9, m11, m13 chords. The go-to scale for any minor chord in funk, jazz, and soul. Works especially well over long minor vamps.
Notas: Re, Mi, Fa, Sol, La, Si, Do
Intervalos: 1P, 2M, 3m, 4P, 5P, 6M, 7m
Grados: 1 2 b3 4 5 6 b7
Fórmula: W-H-W-W-W-H-W
Número de notas: 7
Afinación: Open A (E-A-E-A-C#-E)
Acordes Diatónicos
Dm7 — Em7 — FMaj7 — G7 — Am7 — Bm7♭5 — CMaj7
Acerca de la Afinación Open A
Open A tuning (E-A-E-A-C#-E) produces an A major chord when strummed open. It is structurally identical to Open G tuned up one whole step, delivering a brighter, more tense sound that works particularly well for slide guitar centered on the key of A.
Jimmy Page used Open A with a slide on Led Zeppelin's 'In My Time of Dying' from Physical Graffiti (1975). Rory Gallagher also employed Open A for his raw, energetic slide work. Many players achieve Open A by simply placing a capo at the 2nd fret in Open G tuning, which is why dedicated Open A usage is less commonly discussed. However, without a capo, Open A gives direct access to the open A string resonance and a different feel under the fingers due to the higher tension.
Artistas destacados: Jimmy Page, Rory Gallagher, Delta blues players
Ideal para: Slide guitar in the key of A, blues playing, and situations where you need the brightness of Open G tuned up without a capo
Carácter Musical
The natural 6th degree (vs b6 in Aeolian) gives Dorian its signature 'hopeful minor' character — darker than major, but brighter than natural minor.
Progresiones de Acordes que Usan Esta Escala
- I – V – vi – IV (Pop Progression)Pop / Rock — Hope & Joy
- vi – IV – I – V (Melancholic Variation)Pop / Rock — Melancholy
- ii – V – I (Jazz ii–V–I)Jazz / Soul — Sophistication
- ii – bII7 – I (Tritone Substitution)Jazz / Soul — Mystery & Tension
- IV – V – iii – vi (Royal Road (J-Pop))World / J-Pop — Yearning & Nostalgia
- IV – V – iii – vi – ii – V – I (Japanese Circle)World / J-Pop — Complete Resolution
- i – iv – i – V (Minor Blues)Blues — Melancholy
- i – VI – III – VII (Cinematic Minor)Contemporary / Film — Dramatic & Dark
- vi – viM7 – vi7 – II (Descending Minor Cliché)Classical / Pop — Romance & Intrigue
- iv – ♭VII – I (Backdoor Cadence)Jazz / Soul — Soulful & Unexpected
Explorar Esta Escala en Otras Afinaciones
- Re Dórica en Afinación Estándar
- Re Dórica en Drop D
- Re Dórica en DADGAD
- Re Dórica en Open G
- Re Dórica en Baritone (B Standard)
- Re Dórica en 7-string
- Re Dórica en 8-string
- Re Dórica en Drop C
- Re Dórica en Drop B
- Re Dórica en Open D
- Re Dórica en Half Step Down
- Re Dórica en Open E
- Re Dórica en Double Drop D
- Re Dórica en Open C