Escala de Sol# Disminuida Semitono-Tono para Guitar
Escala de Guitar en afinación Open A — diagrama de diapasón
Sol# Disminuida Semitono-Tono en Open A — Notas e Intervalos
La escala Disminuida Semitono-Tono de G# es una escala simétrica esencial para músicos de jazz. En Guitar, las notas son G#, A, B, C, D, D#, F, F#. Aporta un crujido disonante y sofisticado cuando la tocas sobre acordes de séptima dominante — permite solos complejos y de alta tensión que aún así se sienten estructurados. Usada comúnmente en Jazz, Bebop, Fusion, Film Scores. Entre los intérpretes destacados se encuentran Charlie Parker, Joe Pass, Pat Martino, George Benson. Use over dominant 7th chords (7, 7b9, 13b9). The jazz standard for creating structured tension over dominant harmony. Works over 4 roots spaced a minor 3rd apart.
Notas: Sol#, La, Si, Do, Re, Re#, Fa, Fa#
Intervalos: 1P, 2m, 3m, 3M, 4A, 5P, 6M, 7m
Grados: 1 b2 b3 4 #5 6 7 b8
Fórmula: H-W-H-W-H-W-H-W
Número de notas: 8
Afinación: Open A (E-A-E-A-C#-E)
También conocido como: dominant diminished, messiaen's mode #2
Acerca de la Afinación Open A
Open A tuning (E-A-E-A-C#-E) produces an A major chord when strummed open. It is structurally identical to Open G tuned up one whole step, delivering a brighter, more tense sound that works particularly well for slide guitar centered on the key of A.
Jimmy Page used Open A with a slide on Led Zeppelin's 'In My Time of Dying' from Physical Graffiti (1975). Rory Gallagher also employed Open A for his raw, energetic slide work. Many players achieve Open A by simply placing a capo at the 2nd fret in Open G tuning, which is why dedicated Open A usage is less commonly discussed. However, without a capo, Open A gives direct access to the open A string resonance and a different feel under the fingers due to the higher tension.
Artistas destacados: Jimmy Page, Rory Gallagher, Delta blues players
Ideal para: Slide guitar in the key of A, blues playing, and situations where you need the brightness of Open G tuned up without a capo
Carácter Musical
The inverse of the whole-half diminished — starts with a half step. This version is the standard jazz choice over dominant 7th chords, providing a sophisticated 'crunch' that resolves beautifully.
Progresiones de Acordes que Usan Esta Escala
- I – ♯I°7 – ii – V (Diminished Cliché)Jazz / Soul — Nostalgic & Vintage
Explorar Esta Escala en Otras Afinaciones
- Sol# Disminuida Semitono-Tono en Afinación Estándar
- Sol# Disminuida Semitono-Tono en Drop D
- Sol# Disminuida Semitono-Tono en DADGAD
- Sol# Disminuida Semitono-Tono en Open G
- Sol# Disminuida Semitono-Tono en Baritone (B Standard)
- Sol# Disminuida Semitono-Tono en 7-string
- Sol# Disminuida Semitono-Tono en 8-string
- Sol# Disminuida Semitono-Tono en Drop C
- Sol# Disminuida Semitono-Tono en Drop B
- Sol# Disminuida Semitono-Tono en Open D
- Sol# Disminuida Semitono-Tono en Half Step Down
- Sol# Disminuida Semitono-Tono en Open E
- Sol# Disminuida Semitono-Tono en Double Drop D
- Sol# Disminuida Semitono-Tono en Open C