Escala de La Mixolidia b6 para Guitar
Escala de Guitar en afinación Open C — diagrama de diapasón
La Mixolidia b6 en Open C — Notas e Intervalos
La escala Mixolidia b6 de A es una escala dominante melancólica — la usas cuando una canción está en mayor pero el acorde dominante necesita resolver hacia menor. En Guitar, las notas son A, B, C#, D, E, F, G. Funciona como puente entre el mundo mayor brillante y el menor triste. Perfecta para transiciones emotivas. Usada comúnmente en Jazz, Film Scores, Classical, Melodic Metal. Entre los intérpretes destacados se encuentran Hans Zimmer, Ennio Morricone. Use over dominant 7th chords that resolve to minor (V7 → im). The scale that bridges major happiness and minor sadness.
Notas: La, Si, Do#, Re, Mi, Fa, Sol
Intervalos: 1P, 2M, 3M, 4P, 5P, 6m, 7m
Grados: 1 2 3 4 5 b6 b7
Fórmula: W-W-H-W-H-W-W
Número de notas: 7
Afinación: Open C (C-G-C-G-C-E)
También conocido como: melodic minor fifth mode, hindu
Acerca de la Afinación Open C
Open C tuning (C-G-C-G-C-E) produces a C major chord when strummed open, with an enormous bass depth from the low C string (two whole steps below standard E). The tuning spans a vast tonal range that gives compositions an almost orchestral scope, making it a favorite for both delicate fingerstyle and crushing heavy music.
John Butler's 'Ocean' — one of the most famous modern fingerstyle compositions — is performed in Open C, showcasing the tuning's incredible dynamic range from thundering bass to shimmering harmonics. Devin Townsend uses Open C extensively across his catalog for its massive, wall-of-sound potential. Jimmy Page used it on Led Zeppelin's 'Friends' from Led Zeppelin III. Soundgarden also explored Open C. The three C strings and two G strings create powerful octave resonances that make even simple chord shapes sound huge.
Artistas destacados: John Butler, Devin Townsend, Jimmy Page (Led Zeppelin), Soundgarden, William Ackerman
Ideal para: Cinematic fingerstyle compositions, progressive metal walls of sound, post-rock textures, and any music that needs enormous tonal range from deep bass to bright treble
Carácter Musical
A 'sad dominant' — major 3rd says happy, b6 says sad, b7 says dominant. This emotional contradiction makes it perfect for scenes of bittersweet triumph or pyrrhic victory.
Explorar Esta Escala en Otras Afinaciones
- La Mixolidia b6 en Afinación Estándar
- La Mixolidia b6 en Drop D
- La Mixolidia b6 en DADGAD
- La Mixolidia b6 en Open G
- La Mixolidia b6 en Baritone (B Standard)
- La Mixolidia b6 en 7-string
- La Mixolidia b6 en 8-string
- La Mixolidia b6 en Drop C
- La Mixolidia b6 en Drop B
- La Mixolidia b6 en Open D
- La Mixolidia b6 en Half Step Down
- La Mixolidia b6 en Open E
- La Mixolidia b6 en Open A
- La Mixolidia b6 en Double Drop D