Escala de Do Lidia Dominante para Guitar
Escala de Guitar en afinación Open C — diagrama de diapasón
Do Lidia Dominante en Open C — Notas e Intervalos
La escala Lidia Dominante de C, también conocida como escala Acústica, suena brillante, peculiar y dominante al mismo tiempo. En Guitar, las notas son C, D, E, F#, G, A, Bb. Se usa mucho en jazz y música de animación para improvisar sobre acordes dominantes que no resuelven de forma tradicional. Usada comúnmente en Jazz, Fusion, Blues, Film Scores. Entre los intérpretes destacados se encuentran Frank Zappa, Larry Carlton, Pat Metheny. Use over 7#11, 9#11 chords. Ideal for non-resolving dominant chords (the 'Simpsons chord'). Gives a sophisticated twist to blues progressions.
Notas: Do, Re, Mi, Fa#, Sol, La, Sib
Intervalos: 1P, 2M, 3M, 4A, 5P, 6M, 7m
Grados: 1 2 3 #4 5 6 b7
Fórmula: W-W-W-H-W-H-W
Número de notas: 7
Afinación: Open C (C-G-C-G-C-E)
También conocido como: lydian b7, overtone
Acerca de la Afinación Open C
Open C tuning (C-G-C-G-C-E) produces a C major chord when strummed open, with an enormous bass depth from the low C string (two whole steps below standard E). The tuning spans a vast tonal range that gives compositions an almost orchestral scope, making it a favorite for both delicate fingerstyle and crushing heavy music.
John Butler's 'Ocean' — one of the most famous modern fingerstyle compositions — is performed in Open C, showcasing the tuning's incredible dynamic range from thundering bass to shimmering harmonics. Devin Townsend uses Open C extensively across his catalog for its massive, wall-of-sound potential. Jimmy Page used it on Led Zeppelin's 'Friends' from Led Zeppelin III. Soundgarden also explored Open C. The three C strings and two G strings create powerful octave resonances that make even simple chord shapes sound huge.
Artistas destacados: John Butler, Devin Townsend, Jimmy Page (Led Zeppelin), Soundgarden, William Ackerman
Ideal para: Cinematic fingerstyle compositions, progressive metal walls of sound, post-rock textures, and any music that needs enormous tonal range from deep bass to bright treble
Carácter Musical
Combines Lydian's floating brightness (#4) with Mixolydian's bluesy dominance (b7). The result is a scale that is both dreamy and grounded — bright without being sweet.
Progresiones de Acordes que Usan Esta Escala
- ii – bII7 – I (Tritone Substitution)Jazz / Soul — Mystery & Tension
- iv – ♭VII – I (Backdoor Cadence)Jazz / Soul — Soulful & Unexpected
Explorar Esta Escala en Otras Afinaciones
- Do Lidia Dominante en Afinación Estándar
- Do Lidia Dominante en Drop D
- Do Lidia Dominante en DADGAD
- Do Lidia Dominante en Open G
- Do Lidia Dominante en Baritone (B Standard)
- Do Lidia Dominante en 7-string
- Do Lidia Dominante en 8-string
- Do Lidia Dominante en Drop C
- Do Lidia Dominante en Drop B
- Do Lidia Dominante en Open D
- Do Lidia Dominante en Half Step Down
- Do Lidia Dominante en Open E
- Do Lidia Dominante en Open A
- Do Lidia Dominante en Double Drop D