Escala de Re# Lidia Dominante para Guitar
Escala de Guitar en afinación Open E — diagrama de diapasón
Re# Lidia Dominante en Open E — Notas e Intervalos
La escala Lidia Dominante de D#, también conocida como escala Acústica, suena brillante, peculiar y dominante al mismo tiempo. En Guitar, las notas son D#, F, G, A, A#, C, C#. Se usa mucho en jazz y música de animación para improvisar sobre acordes dominantes que no resuelven de forma tradicional. Usada comúnmente en Jazz, Fusion, Blues, Film Scores. Entre los intérpretes destacados se encuentran Frank Zappa, Larry Carlton, Pat Metheny. Use over 7#11, 9#11 chords. Ideal for non-resolving dominant chords (the 'Simpsons chord'). Gives a sophisticated twist to blues progressions.
Notas: Re#, Fa, Sol, La, La#, Do, Do#
Intervalos: 1P, 2M, 3M, 4A, 5P, 6M, 7m
Grados: 1 2 3 #4 5 6 b7
Fórmula: W-W-W-H-W-H-W
Número de notas: 7
Afinación: Open E (E-B-E-G#-B-E)
También conocido como: lydian b7, overtone
Acerca de la Afinación Open E
Open E tuning (E-B-E-G#-B-E) produces a bright, full E major chord when strummed open. Structurally identical to Open D but tuned a whole step higher, Open E delivers a snappier, more cutting tone that has defined the sound of electric slide guitar in blues-rock and Southern rock.
Duane Allman used Open E on the Allman Brothers Band's legendary 'Statesboro Blues' and 'At Fillmore East' recordings, establishing it as the definitive electric slide tuning. Derek Trucks carries on this tradition as one of the greatest living slide guitarists. The Black Crowes used Open E for 'She Talks to Angels'. Because three strings are tuned UP from standard (the 3rd, 4th, and 5th), Open E puts more tension on the neck than Open D — this is why many acoustic players prefer Open D, while electric players favor Open E for its brighter bite.
Artistas destacados: Duane Allman, Derek Trucks, The Black Crowes, Bob Dylan, Lynyrd Skynyrd
Ideal para: Electric slide guitar, Southern rock, blues-rock, and any style that needs bright, singing slide tone with the tonal center of E
Carácter Musical
Combines Lydian's floating brightness (#4) with Mixolydian's bluesy dominance (b7). The result is a scale that is both dreamy and grounded — bright without being sweet.
Progresiones de Acordes que Usan Esta Escala
- ii – bII7 – I (Tritone Substitution)Jazz / Soul — Mystery & Tension
- iv – ♭VII – I (Backdoor Cadence)Jazz / Soul — Soulful & Unexpected
Explorar Esta Escala en Otras Afinaciones
- Re# Lidia Dominante en Afinación Estándar
- Re# Lidia Dominante en Drop D
- Re# Lidia Dominante en DADGAD
- Re# Lidia Dominante en Open G
- Re# Lidia Dominante en Baritone (B Standard)
- Re# Lidia Dominante en 7-string
- Re# Lidia Dominante en 8-string
- Re# Lidia Dominante en Drop C
- Re# Lidia Dominante en Drop B
- Re# Lidia Dominante en Open D
- Re# Lidia Dominante en Half Step Down
- Re# Lidia Dominante en Open A
- Re# Lidia Dominante en Double Drop D
- Re# Lidia Dominante en Open C