Escala de Fa# Mixolidia b6 para Guitar
Escala de Guitar en afinación Open E — diagrama de diapasón
Fa# Mixolidia b6 en Open E — Notas e Intervalos
La escala Mixolidia b6 de F# es una escala dominante melancólica — la usas cuando una canción está en mayor pero el acorde dominante necesita resolver hacia menor. En Guitar, las notas son F#, G#, A#, B, C#, D, E. Funciona como puente entre el mundo mayor brillante y el menor triste. Perfecta para transiciones emotivas. Usada comúnmente en Jazz, Film Scores, Classical, Melodic Metal. Entre los intérpretes destacados se encuentran Hans Zimmer, Ennio Morricone. Use over dominant 7th chords that resolve to minor (V7 → im). The scale that bridges major happiness and minor sadness.
Notas: Fa#, Sol#, La#, Si, Do#, Re, Mi
Intervalos: 1P, 2M, 3M, 4P, 5P, 6m, 7m
Grados: 1 2 3 4 5 b6 b7
Fórmula: W-W-H-W-H-W-W
Número de notas: 7
Afinación: Open E (E-B-E-G#-B-E)
También conocido como: melodic minor fifth mode, hindu
Acerca de la Afinación Open E
Open E tuning (E-B-E-G#-B-E) produces a bright, full E major chord when strummed open. Structurally identical to Open D but tuned a whole step higher, Open E delivers a snappier, more cutting tone that has defined the sound of electric slide guitar in blues-rock and Southern rock.
Duane Allman used Open E on the Allman Brothers Band's legendary 'Statesboro Blues' and 'At Fillmore East' recordings, establishing it as the definitive electric slide tuning. Derek Trucks carries on this tradition as one of the greatest living slide guitarists. The Black Crowes used Open E for 'She Talks to Angels'. Because three strings are tuned UP from standard (the 3rd, 4th, and 5th), Open E puts more tension on the neck than Open D — this is why many acoustic players prefer Open D, while electric players favor Open E for its brighter bite.
Artistas destacados: Duane Allman, Derek Trucks, The Black Crowes, Bob Dylan, Lynyrd Skynyrd
Ideal para: Electric slide guitar, Southern rock, blues-rock, and any style that needs bright, singing slide tone with the tonal center of E
Carácter Musical
A 'sad dominant' — major 3rd says happy, b6 says sad, b7 says dominant. This emotional contradiction makes it perfect for scenes of bittersweet triumph or pyrrhic victory.
Explorar Esta Escala en Otras Afinaciones
- Fa# Mixolidia b6 en Afinación Estándar
- Fa# Mixolidia b6 en Drop D
- Fa# Mixolidia b6 en DADGAD
- Fa# Mixolidia b6 en Open G
- Fa# Mixolidia b6 en Baritone (B Standard)
- Fa# Mixolidia b6 en 7-string
- Fa# Mixolidia b6 en 8-string
- Fa# Mixolidia b6 en Drop C
- Fa# Mixolidia b6 en Drop B
- Fa# Mixolidia b6 en Open D
- Fa# Mixolidia b6 en Half Step Down
- Fa# Mixolidia b6 en Open A
- Fa# Mixolidia b6 en Double Drop D
- Fa# Mixolidia b6 en Open C