Escala de Re# Lidia Dominante para Guitar
Escala de Guitar en afinación Open G — diagrama de diapasón
Re# Lidia Dominante en Open G — Notas e Intervalos
La escala Lidia Dominante de D#, tambien conocida como escala Acustica, suena brillante, peculiar y dominante al mismo tiempo. En Guitar, sus notas son D#, F, G, A, A#, C, C#. Se usa ampliamente en jazz y musica de animacion para improvisar sobre acordes dominantes que no resuelven de forma tradicional. Usada comunmente en Jazz, Fusion, Blues, Film Scores. Entre los interpretes destacados se encuentran Frank Zappa, Larry Carlton, Pat Metheny. Use over 7#11, 9#11 chords. Ideal for non-resolving dominant chords (the 'Simpsons chord'). Gives a sophisticated twist to blues progressions.
Notas: Re#, Fa, Sol, La, La#, Do, Do#
Intervalos: 1P, 2M, 3M, 4A, 5P, 6M, 7m
Grados: 1 2 3 #4 5 6 b7
Fórmula: W-W-W-H-W-H-W
Número de notas: 7
Afinación: Open G (D-G-D-G-B-D)
También conocido como: lydian b7, overtone
Acerca de la Afinación Open G
Open G tuning (D-G-D-G-B-D) produces a G major chord when strummed open, making it the definitive tuning for slide guitar and delta blues. The tuning's natural consonance means that barring across any fret gives you a major chord, which is why it's been the backbone of blues and roots music for over a century.
From Robert Johnson to Keith Richards, Open G has shaped some of the most iconic music ever recorded. Keith Richards famously removes the low 6th string entirely in this tuning, creating his signature five-string sound on songs like 'Start Me Up' and 'Brown Sugar'. For slide players, Open G is essential — it allows clean, singing slide lines across all strings with minimal effort.
Artistas destacados: Keith Richards, Robert Johnson, Ry Cooder, Joni Mitchell, The Black Crowes
Ideal para: Slide guitar, delta blues, Keith Richards-style rock riffs, and open-string fingerpicking
Carácter Musical
Combines Lydian's floating brightness (#4) with Mixolydian's bluesy dominance (b7). The result is a scale that is both dreamy and grounded — bright without being sweet.
Progresiones de Acordes que Usan Esta Escala
- ii – bII7 – I (Tritone Substitution)Jazz / Soul — Mystery & Tension
- iv – ♭VII – I (Backdoor Cadence)Jazz / Soul — Soulful & Unexpected