Alice In Wonderland in A

Sammy Fain(1951)waltzMedium Waltz
A
Instrument
GuitarUkuleleBassPiano
A
A
B
A
Bm7
E7
AMaj7
DMaj7
G♯m7♭5
C♯7
F♯m7
C7
Bm7
E7
AMaj7
DMaj7
G♯m7♭5
C♯7
F♯m7
F♯m7
Bm7
E7
AMaj7
DMaj7
G♯m7♭5
C♯7
F♯m7
C7
Bm7
E7
AMaj7
DMaj7
G♯m7♭5
C♯7
F♯m7
F♯m7
Bm7
E7
AMaj7
DMaj7
Dm7
G7
CMaj7
FMaj7
F♯m7♭5
B7
Em7
A7
Dm7
G7
Bm7
E7
Bm7
E7
AMaj7
DMaj7
G♯m7♭5
C♯7
F♯m7
C7
Bm7
E7
AMaj7
DMaj7
G♯m7♭5
C♯7
F♯m7
F♯m7

Chord Diagrams — Alice In Wonderland in A (Guitar)

Alice In Wonderland in A

From the Disney film, this waltz became a jazz standard through Bill Evans' trio recordings, featuring elegant ii-V-I motion in 3/4 time.

Alice In Wonderland in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G# (ascending tritone), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to C (ascending tritone), C to D (ascending whole step), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to F# (ascending half step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to B by whole step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz3/4 · 64 bars · Form: AABA

Chords: Bm7, E7, AMaj7, DMaj7, G♯m7♭5, C♯7, F♯m7, C7, Dm7, G7, CMaj7, FMaj7, F♯m7♭5, B7, Em7, A7.